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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: Italy
Edward Lear, Pentedattelo (1847)
Edward Lear, Pentedattelo, Calabria. Inscribed and dated ‘Pentidatelo/1 Sept 1847’ (lower left); annotated (throughout). Ink and wash heightened with white over traces of pencil. 20.3 x 29.2cm (8 x 11 1/2in). Bonhams.
Edward Lear, View of Rome
Edward Lear, View of Rome. Variously inscribed and annotated. Pencil on paper. 27 x 42cm (10 5/8 x 16 9/16in). Provenance Ex collection of art critic Nicolas Powell (1920-1986). Private collection, UK (thence by descent). Bonhams.
Edward Lear, Amalfi (1844)
Edward Lear, Amalfi . Inscribed and dated ‘Amalfihi/8. June. 1844’ (lower right). Pen and ink over traces of pencil. 48 x 34.5cm (18 7/8 x 13 9/16in). Provenance Ex collection of art critic Nicolas Powell (1920-1986). Private collection, UK (thence by descent). … Continue reading
Edward Lear, L’Aquila (1845)
Edward Lear, L’Aquila, 1845. Black chalk, touches of pencil, wash, heightened with white, on light grey paper. Signed and dated 1845 lower left, inscribed Aquila lower left. 14 x 28 cm. (5 1/2 x 11 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
Edward Lear, Lago di Fucino (1844)
Edward Lear, Lago di Fucino, 1844. Black chalk, pencil, touches of wash, heightened with white, on light grey coloured laid paper. Signed and dated 1844 lower right, inscribed Lago di Fucino lower left. 14 x 26 cm. (5 1/2 x 10 1/4 in), … Continue reading
Edward Lear, Lago di Scanno (1844)
Edward Lear, Lago di Scanno, 1844. Black chalk, grey wash, heightened with white, on light blue grey paper. Signed and dated 1844 lower right, inscribed Lago di Scanno lower left. 15 x 24 cm. (6 x 9 1/2 in). Provenance: John Scandrett Harford … Continue reading
Edward Lear, L’Abbazia di Santo Spirito (1844)
Edward Lear, L’Abbazia di Santo Spirito, 1844. Black chalk, pencil, wash, heightened with white, on light grey paper. Signed and dated 1844 lower right, inscribed [sic] Abaddia di S. Spirito lower left. 8.5 x 15.5 cm. (3 1/4 x 6 1/4 in), corners … Continue reading
Edward Lear, Trasacco (1844)
Edward Lear, Trasacco, 1844. Black chalk, pencil, heightened with white, on light buff paper. Signed and dated 1844 lower left, inscribed Trasacco lower right. 13.5 x 22 cm. (5 1/4 x 8 3/4 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
Edward Lear, Pizzoferrato (1844)
Edward Lear, Pizzoferrato, 1844. Black chalk, pencil, heightened with white, on light buff paper. Signed and dated 1844 lower right, inscribed Pizzoferrato lower left. 14 x 26.5 cm. (5 1/2 x 10 1/2 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); thence by … Continue reading
Edward Lear, Stretti di San Luigi (1844)
Edward Lear, Stretti di San Luigi, 1844. Black chalk, pencil, wash, heightened with white, on light buff paper. Signed and dated 1844 lower left, inscribed Stretti di San Luigi lower right. 16.5 x 10 cm. (6 1/2 x 4 in), corners trimmed. Provenance: … Continue reading