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Edward Lear
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Egypt
Edward Lear, On the Nile, opposite El Ouasta (1867)
Edward Lear, On the Nile, opposite El Ouasta, Egypt January 1867. Pen and brown ink and watercolour, heightened with white; 62 by 206 mm. Mutualart.
Edward Lear, Karnak (1854)
Edward Lear, Eygpt; ‘Karnak’. Pen, ink and watercolour. Signed, inscribed and dated, ‘Feb 15 1854’. 6×19.5 inches. Framed: 27.5×14.5 inches. Provenance Sir Eric Maclagan and by descent; A and H, 2013; a private collection. Abbott and Holder.
Edward Lear, The Nile at Kasr-Es-Saad
Edward Lear, The Nile at Kasr-Es-Saad, Egypt. Inscribed and numbered ’23/ Like the crag that fronts the evening’ (upper left) and further inscribed ‘Kasres.Saad. (Egypt.)’ (upper right). Pencil, pen and brown ink, brown and grey wash, lightly squared on paper … Continue reading
Posted in Edward Lear
Tagged Edward Lear, Egypt, landscape, Tennyson, travel, watercolours
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Edward Lear, Philae (1854)
Edward Lear, Philae, Egypt. Inscribed and dated ‘Philae. Jany 31. Feby. 4./ 1854.’ and numbered ‘156’ (lower right), and extensively inscribed with colour notes throughout. Pencil, pen and brown ink and watercolour. 12 1⁄4 x 19 1⁄2 in. (31.1 x … Continue reading
Edward Lear. Bedouin Soldiers on a Hillside
Edward Lear, Bedouin Soldiers Resting on a Hillside. Pen and brown ink on wove paper. 117×188 mm; 4 3/4×7 1/2 inches. Signed in ink, lower left recto. Provenance Private collection, Chicago. invaluable.
Edward Lear, Bab el Kalabshe on the Nile (1871)
Edward Lear, Bab el Kalabshe on the Nile. Signed with initials lower left; inscribed Bab el Kalabshe on the Nile on the overlap; inscribed, signed and dated Bab el Kalabshe. on the Nile / Edward Lear / 1871 on a … Continue reading
Edward Lear, Camels Resting near Suez (1849)
Edward Lear, Camels Resting near Suez. Inscribed ‘204’, ‘near Suez’, ‘1. Woolly – fawn colour’ and ‘2. Dowager – pale cream’, and dated ‘Feby 5 1849. 3-4 pm’. Pen and ink. 4 x 10 inches. Provenance Andrew McIntosh Patrick; Luke … Continue reading
Edward Lear, Garf Hoseyn (1867)
Edward Lear, Garf Hoseyn. Inscribed Garf Hoseyn/ 2.15. PM. 1867./ Feby.15.1867 in ink (over a similar inscription in pencil), numbered (483) lower right, with artist’s colour notes, pen and brown ink with coloured washes, heightened with white. 30.5 x 53cm. … Continue reading
Edward Lear, Mount Sinai (1853)
Edward Lear, Mount Sinai. Inscribed, signed and dated MT. SINAI E. Lear 1853 lower right. Oil on canvas, circular. Unframed: 58.5cm., 23in. diameter. Framed: 69 by 69cm., 27¼ by 27¼in. Provenance Bought from the artist by Thomas Gambier Parry. Leger Galleries, London, … Continue reading
Edward Lear, The Pyramids Road (or, have you got a million?)
Edward Lear, The Pyramids Road, Gizeh. Signed with monogram and dated EL.1873 lower left. Oil on canvas. Unframed: 53 by 104cm., 21 by 41in. Provenance Commissioned by Thomas George Baring, 1st Earl Northbrook before 1872 The Fine Art Society, by whom sold to … Continue reading