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Edward Lear
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Egypt
Edward Lear, Mount Sinai (1849)
Edward Lear, Mount Sinai. Inscribed with location and colour notes, dated 26 Jan, 1849, pen and ink and watercolour. 18cm x 28.5cm (7in x 11.25in). Provenance Fine Art Society Limited, London, July 1979 The Collection of Gordon & Ursula Bowyer … Continue reading
Edward Lear, Jafa (1884)
Edward Lear, Jafa. Signed with the monogram and dated 1884, further inscribed and dated ‘Feb. 17. 1867’, watercolour and bodycolour 9cm x 17cm (3.5in x 6.75in) Travelling by ‘the grumpy roary groanery of camels’ across the desert, Lear arrived in … Continue reading
Edward Lear, Dead Camel
Edward Lear, Dead Camel Getting Eaten by Buzzards. Signed with the monogram, watercolour and bodycolour 18cm x 37cm (7in x 14.5in) The Saleroom.
Edward Lear, Wady Halfa, Egypt (1867)
Edward Lear, Wady Halfa, Egypt. Signed with the monogram and dated 1884, further inscribed and dated ‘Feb. 3, 1867, watercolour and bodycolour 9cm x 17cm (3.5in x 6.75in) Walker Galleries, London;Christie’s, London, 26 January 1984, lot 178. The present work … Continue reading
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance (1849)
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance, 1849. Pencil, pen and brown ink and watercolour, heightened. 6 ¾ x 20 in. (17.2 x 50.9 cm.) MutualArt.
Edward Lear, View on the Nile, Dishne (1867)
Edward Lear, View on the Nile, Dishne. Inscribed ‘Near Dishne, 5.10PM Feby 27.1867’, and numbered 558, watercolour, 6 x 17cm. Provenance with Ryman & Co Ltd, Oxford. Invaluable.
Edward Lear, View of Cairo (1849)
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance. Inscribed and dated ‘Cairo / 9. Jany . 1849.’ (lower left), further inscribed, dated and numbered ‘Cairo. Jany 9. 1849. 2’ (lower right), and … Continue reading
Edward Lear, Medeenet Abou (1856)
Edwqard Lear, Medeenet Abou, Egypt. Inscribed and dated ‘1856-19 Feby. tired out 3.p.m’, pen and ink. 20cm x 45cm (8in x 17.75in) Provenance Agnew’s, London, where bought by the mother of the present owners in 1966. The present watercolour depicts … Continue reading
Edward Lear, The Caves of Beni Hassan (1867)
Edward Lear, The Caves of Beni Hassan, Egypt. Inscribed and dated ‘11.30AM. Jany. 5. 1867’ extensively annotated, pen and ink and coloured wash. 13.5cm x 23cm (5.25in x 9in) Lyon and Turnbull.
Edward Lear, Aswan (1854)
Edward Lear, Aswan, Egypt. Inscribed and dated ‘Assouan 9. Feb 1854 9.10AM’ and further inscribed with colour notes throughout, pen and ink and watercolour. 24.25cm x 43.75cm (9.5in x 17.25in). Provenance Agnew’s, no. 28008 During his second visit to Egypt … Continue reading