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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: Edward Lear
Edward Lear, Stretti di San Luigi (1844)
Edward Lear, Stretti di San Luigi, 1844. Black chalk, pencil, wash, heightened with white, on light buff paper. Signed and dated 1844 lower left, inscribed Stretti di San Luigi lower right. 16.5 x 10 cm. (6 1/2 x 4 in), corners trimmed. Provenance: … Continue reading
Edward Lear, Civita d’Antino (1844)
Edward Lear, Civita d’Antino, 1844. Black chalk, pencil, heightened with white, on light blue paper. Signed and dated 1844 lower right, inscribed Civita d’Antino lower left. 16.5 x 28.5 cm. (6 1/2 x 11 1/4 in). Provenance: John Scandrett Harford (1787-1866); thence by … Continue reading
The Natural History of Edward Lear
Robert Peck’s book on Edward Lear’s career as a zoological illustrator is out; I thought it would be in large part a reprint of his essay in the Harvard Library Bulletin enhanced with reproduction, but it is actually a different, … Continue reading
Posted in Edward Lear
Tagged biography, Edward Lear, nonsense rhymes, zoological illustration
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Edward Lear, Campagna di Roma (1844)
Edward Lear, Campagna di Roma. A pair, watercolours, over pencil, with touches of white, both on light blue laid paper. Both signed, dated 1844 , and inscribed Campagna di Roma , and [?]For S. G⁂ , respectively. 4.5 x 9 cm. (1 3/4 … Continue reading
Edward Lear, Albe (1844)
Edward Lear, Albe, 1844. Black chalk, pencil, grey wash, heightened with white, on light buff paper. Signed and dated 1844 lower right, inscribed Albe lower left. 14 x 26 cm. (5 1/2 x 10 1/4 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
Edward Lear, Antrodoco (1844)
Edward Lear, Antrodoco, 1844. Black chalk, pencil, heightened with white, on light blue paper. Signed and dated 1844 lower left, inscribed Antrodoco lower right. 13 x 18 cm. (5 1/8 x 7 in). Provenance: John Scandrett Harford (1787-1866); thence by descent to … Continue reading
Edward Lear, Santa Maria di Luco (1844)
Edward Lear, Santa Maria di Luco, 1844. Black chalk, pencil, heightened with white, on light grey paper. Signed and dated 1844 lower right, inscribed S. Maria di Luco lower left. 9.5 x 20 cm. (3 3/4 x 7 7/8 in). Provenance: John Scandrett … Continue reading
Edward Lear, Buon Ricovero & Villa Cesia (1843)
Edward Lear, Buon Ricovero, 1843; Villa Caesia, 184[?]3. A pair, watercolour, heightened with white, on light blue paper. Both signed lower right, inscribed and dated Buon Ricovers, 1843, and Villa Caesia, 184 [?]3 , respectively. 8 x 14 cm. (3 1/8 x … Continue reading
Posted in Edward Lear, Uncategorized
Tagged Edward Lear, Italy, landscape, travel, watercolours
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Edward Lear, Santa Maura (1863)
Edward Lear, Santa Maura. Brush and ink, watercolour, traces of graphite, on wove paper. Inscribed and dated ’19 April 1863 6PM’ lower right. 20.5 x 32 cm. (8 1/4 x 12 1/2 in). Provenance: Thomas Agnew & Sons, London (label on reverse, … Continue reading
Edward Lear, A Venetian Sail Barge (1865)
Edward Lear, A Venetian sail barge. Brush and red ink, watercolour, touches of body colour, traces of graphite. Inscribed ‘Venice 24 Nov, b’r 1865 (53)’ lower right. 11.5 x 17 cm. (4 1/2 x 6 3/4 in) Provenance: Thomas Agnew & Sons, London … Continue reading