Tag Archives: Edward Lear

Edward Lear, Cannes (1865)

Edward Lear, Cannes. Inscribed and dated ‘Cannes./5.4.5 PM. 8 April 1865 Isle Ste. Marguerite’ (lower left)  and numbered (‘115’) (lower right), and further inscribed with the artist’s colour notes. Pen and brown ink and watercolour, heightened with white on blue … Continue reading →

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Edward Lear, Argostoli and the Black Mountain, Cephalonia (1863)

Edward Lear, Argostoli and the Black Mountain, Cephalonia. Inscribed, numbered and dated ‘Argostoli [in Greek]. (129)/May 5. 1863.’ (lower right) and extensively inscribed with colour notes. Pencil, pen and brown ink and watercolour. 12 7/8 x 19 ¾ in. (32.8 … Continue reading →

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Edward Lear, The Monastery of St Nilus, Mount Athos (1856)

Edward Lear, The Monastery of St Nilus, Mount Athos. Inscribed in Greek ‘Ayios Nilos’ and inscribed and dated ‘Athos./ 7.Sept.1856.’ (lower right) and further inscribed with colour notes. Pencil, pen and brown ink and watercolour. 14 x 20 ¾ in. … Continue reading →

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The Darwins and Edward Lear’s “scroobious”

Edward Lear was always in contact with naturalists, especially as a young ornithological illustrator. He certainly provided illustrations for  The Zoology of Captain Beechey’s Voyage (1839) and may have had a part in the production of Charles Darwin’s Zoology of … Continue reading →

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Edward Lear, Near Perivolia, Chania, Crete (1864)

Edward Lear, Near Perivolia, Chania, Crete. Pencil, pen, ink and watercolour heightened with white. 370 × 540 mm. (14 ⅝ × 21 ¼ in.). Inscribed (in Greek) Perivolia. Chania and dated 11 A.M. 23 April 1864 and numbered (35). The … Continue reading →

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Edward Lear, The Red Tower or St. Agatha’s Tower, Malta (1866)

Edward Lear, The Red Tower or St. Agatha’s Tower, Malta. 1866. Watercolor and ink on paper. 7.5 by 10.75. MutualArt.

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Variant Versions of Edward Lear’s Limericks

‘There was an old person of Skye,/ Who was nearly a hundred feet high;/ He seemed to the people/ As tall as a steeple,/ And served as a lighthouse on Skye.’ (upper left) pen and brown ink, partial watermark ’18…’ … Continue reading →

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Lydia Karpinska, The owl and the Pussy-cat Dancing

Lydia Karpinska, The Owl and the Pussy-cat. Capturing joy and movement from every angle, this charming intrepretation entitled They danced by the light of the moon, is of course the unmistakable owl and pussy cat of Edward Lear. This piece … Continue reading →

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Edward Lear, Kandy (1874)

Edward Lear, Kandy. Dec 2. 1894 [but actually 1874], 7.45AM,:- pencil, watercolour, pen and brown ink drawing inscribed as titled, further annotated, ‘bamboo’, ‘green for misty’, ‘cabbidge palm’, ’12ft high’ …. 16 x 34.5cm. Provenance With Thos. Agnew & Sons … Continue reading →

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Edward Lear, Garf Hoseyn (1867)

Edward Lear, Garf Hoseyn. Inscribed Garf Hoseyn/ 2.15. PM. 1867./ Feby.15.1867 in ink (over a similar inscription in pencil), numbered (483) lower right, with artist’s colour notes, pen and brown ink with coloured washes, heightened with white. 30.5 x 53cm. … Continue reading →

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