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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Edward Lear
Edward Lear, El Kab, Egypt (1854)
Edward Lear, El Kab, Egypt. Pen, ink, and watercolour, heightened with white. Inscribed with title and dated ’13 Feb 1854′ (lower left), colour notes throughout. 20 x 33.5cm (7¾ x 13 in.) Provenance Leger Galleries, London, November 1970 Edward Lear … Continue reading
Edward Lear, Ravello (1844)
Edward Lear, ‘Ravello, 9 June 1844’. Pen and ink, 16 x 12cm, mounted but unframed. Lear was in the area on Ravello on this date, evidenced by other works from June 1844 including pen sketch of Amalfi inscribed and dated … Continue reading
Edward Lear, Èze, Southern France
Edward Lear, Èze, Southern France. Watercolor and bodycolor, heightened with white and gum arabic. 122 by 186 mm; 4⅞ by 7⅜ in. MutualArt.
Edward Lear, Albenga from the Railway(1880)
Edward Lear, Albenga From the Railway. Inscribed with colour notes and dated: 6 Sep 1880/ 6.40 pm and with the lines from Tennyson “The day was sloping towards his western bower.” Pen and sepia ink with pencil and touches of … Continue reading
Edward Lear, View of Mount Athos (1857)
Edward Lear, View of Mount Athos, Greece. Pencil and oil on artist’s board. Painting 11 7⁄8 x 18 ½ in. (30.1 x 47 cm.) Provenance The artist, by whom given to Canon C.M. Church. with Thomas Agnew & Sons, London, where purchased by … Continue reading
Edward Lear, Narkunda (1874)
Edward Lear, Narkunda, [India]. Watercolour study heightened in white – ‘Narkundo’, 29th April 1874, monogrammed lower right, 10cm x 17.5cm, mounted and framed under glass. The Saleroom.
Edward Lear, Tor de’ Schiavi, Campagna de Roma
Edward Lear, Tor de’Schiavi, Campagna di Roma. Signed with monogram (lower left). Pencil and watercolour, heightened with white and with scratching out. 7 x 14 ¾ in. (17.8 x 37.5 cm.) Provenance The artist, by whom given to Chichester Fortescue, … Continue reading
Edward Lear, Two Views of Thebes (1848)
Edward Lear, Two views of Thebes. The first inscribed and dated ‘Thebes & Cithaeron / 3. July. 1848 / (115)’ (lower right), and inscribed with artist’s notes throughout; the second inscribed and dated ‘Thebes / Thiva. / July 4. 1848. … Continue reading
Edward Lear, Four vignette studies of birds
Edward Lear, Four vignette studies of birds – a pair of parrots, a flamingo, an avocet and a merganser, each signed ‘E. Lear.’ (lower left). All pencil, with watercolour and bodycolour, two heightened with gold, on paper. two 9 x … Continue reading
Edward Lear, The Gulf of Brolo from near Kokkinomilia (1848)
Edward Lear, The Gulf of Brolo from near Kokkinomilia. Inscribed and dated ‘Gulf of Brolo. / from near Kokinomelia. [sic] / 25. June. 1848’ (lower right), numbered ‘(82)’ (lower left), and extensively inscribed with artists notes throughout. Pencil, pen and … Continue reading