Tag Archives: drawings

Edward Lear, Ponte Nomentano near Rome (1844)

Edward Lear, Ponte Nomentano near Rome, May 17th 1844. Pen and brown ink, signed and dated May 17th 1844 in pencil lower right, titled in pencil lower left, 15.5 x 25cm. Provenance Michael Spratt Gallery, Guildford, Surrey The Saleroom.

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Edward Lear, Genazzano (1840)

Edward Lear, The castle at Genazzano, south-east of Tivoli, Italy. Extensively inscribed with colour annotations; titled and dated ‘Gennazzano. Oct. 09. 1840.’ lower right. Pencil. 21.5 x 42cm. Provenance Albany Gallery, London Although the gallery label verso suggests a date of … Continue reading →

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Edward Lear, Capo Sant’Angeli, Amalfi

Edward Lear, Capo Sant’Angeli, Amalfi. Pencil with touches of white on paper. 11 x 17.5cm; 4 1/4 x 17 1/2in. 25 x 31.5cm; 9 3/4 x 12 1/2in (framed). Property from a Private Collection, Ravenscourt Park. Provenance Thomas Agnew & … Continue reading →

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Edward Lear, A Ruin

Edward Lear, Pencil, a sketch on paper depicting a ruin of a grand building possibly a monastery, signed to lower left, details and magazine clipping from previous owner verso, under glass 14cm x 9cm & 26cm x 22.5cm overall. Some … Continue reading →

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Edward Lear, Umbrella Pines

Edward Lear, Umbrella pines and an Italian villa. Pencil with traces of red chalk. 31 x 23.5cm Provenance With Thomas Agnew & Sons, London. The Saleroom.

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Edward Lear, Mount Parnassus from Livadia

Edward Lear, Mount Parnassus from Livadia. Pencil. Variously inscribed with artist’s notes (throughout); titled (lower right)37 x 61cm (14½ x 24 in.) Invaluable.

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Edward Lear, Ravello (1844)

Edward Lear, ‘Ravello, 9 June 1844’. Pen and ink, 16 x 12cm, mounted but unframed. Lear was in the area on Ravello on this date, evidenced by other works from June 1844 including pen sketch of Amalfi inscribed and dated … Continue reading →

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Edward Lear, Albenga from the Railway(1880)

Edward Lear, Albenga From the Railway. Inscribed with colour notes and dated: 6 Sep 1880/ 6.40 pm and with the lines from Tennyson “The day was sloping towards his western bower.” Pen and sepia ink with pencil and touches of … Continue reading →

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