Edward Lear, Petra (1858)

Edward Lear, Petra.
Study, label on reverse, no apparent signature. 8-1/2 x 12 inches. Overall framed size 15 x 19 inches.

Invaluable.

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Edward Lear, Masada on the Dead Sea (c. 1858)

Edward Lear, Masada on the Dead Sea, circa 1858.
Signed with monogram (lower right). Watercolour with touches of bodycolour, heightened with gum arabic. 17 x 37.5cm

A larger painting by Lear, depicting the same viewpoint as the present work, is in the collection of the Fine Arts Museums of San Francisco (1986.40). The oil on canvas, painted for Frances Elizabeth Anne (née Braham), Countess Waldegrave (1821-1879), was executed in 1858, when Lear first visited and painted the mount of Masada in Israel, located at the edge of the Judean Desert on the western shore of the Dead Sea. It is likely that this watercolour is of a similar date.

The Saleroom.

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An Illustrated Limerick

By Chichester Fortescue?

Bound into a copy of the eighth edition of Edward Lear’s Book of Nonsense.

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Edward Lear, Two Drawings

Edward Lear, A Moutainous Landscape with Figures Seated by a Shrine, & Sketch of a Tomb with Classical Frieze.
Signed and dated E. Lear 15 March / 1848 lower right (i). Each pen and brown ink. Each 9.5 x 12cm; 3 3/4 x 4 3/4in.

The Saleroom.

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Edward Lear, Meteora, Thessaly, Greece

Edward Lear, Meteora, Thessaly, Greece.
Pen and ink on paper. h. 12 8 x 21- 20 x 27.

MutualArt.

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Edward Lear, St John Lateran and the Claudian Aqueduct, Rome

Edward Lear, St John Lateran and the Claudian Aqueduct, Rome.
Signed with monogram (lower right). Watercolour over traces of pencil, heightened with white. 10.4 x 20.3cm (4 1/8 x 8in).

Provenance
Collection of Lady Peyton.
The Hon. Dorothy Gibbs and then by descent in the family.
Anon. sale, Christie’s, London, 17 November 2005, lot 103.
Private collection, UK.

There is an oil sketch of the same subject painted circa 1839-40, see Lady Strachey, The Letters of Edward Lear, 1907, London, p. 341.

St John Lateran, located in Rome, is considered to be the oldest and most significant basilica in the Christian world. Founded in the early 4th Century by Pope Melchiade, it was built on the ruins of a Roman villa owned by the Laterani family. The church was the first to be built with imperial approval after Emperor Constantine legalised Christianity in the Roman Empire through the Edict of Milan in AD 313. It served as the papal residence until the 14th century, and today it remains the cathedral of the Diocese of Rome, symbolising the heart of the Catholic Church. St John Lateran’s architecture combines Roman, early Christian and Baroque styles. The basilica houses important relics, such as the Lateran Baptistry and the Scala Santa. While St Peter’s Basilica is more popular, St John Lateran holds the title of ‘mother and head’ of all churches in the Catholic world.

Bonhams.

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Edward Lear, Two views of Rulnapoora, Sri Lanka

Edward Lear, Two views of Rulnapoora, Sri Lanka.
Black wash. Each 9.7 by 14.6 cm.; 3 3/4 by 5 3/4 in.

MutualArt.

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Edward Lear, A View of Darjeeling, India; with a view of Khersrong, India

Edward Lear, A View of Darjeeling, India; with a view of Khersrong, India.
Black and grey wash. each 9.7 by 14.6 cm.; 3 3/4 by 5 3/4 in.

MutualArt.

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Edward Lear, Two views of Coonoor, India

Edward Lear, Two views of Coonoor, India.
Black and grey wash. Each 9.7 by 14.6 cm.; 3 3/4 by 5 3/4 in.

MutualArt.

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Edward Lear, View of Florence (1861)

Edward Lear, View of Florence.
Inscribed and dated ‘June 14/ (9)’ (lower left). Pen, ink and watercolour over pencil. 33.2 x 55cm (13 1/16 x 21 5/8in). Painted in 1861.

Provenance
With Thomas Agnew & Sons, Ltd., London where purchased 8 October 1960.

At 3.30 went to Villa S. Firenze, & drew all the rest of the day ― i.e. ― from 4.20 ― at the great view.
(Edward Lear’s Diaries)

The present lot relates to an oil View of Florence from the Villa San Firenze, 1862, now in the Government Art Collection, London, accession no. 6950.

Bonhams.

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