Edward Lear, Lotus Eaters, Euboea, Greece

Edward Lear, Lotus Eaters, Euboea, Greece. “They sat them down upon the yellow sand.”
Inscribed and numbered ‘51’, pen and ink and grisaille
9.5cm x 14.5cm (3.75in x 5.75in)
Alfred, Lord Tennyson;by descent until 1980.
Alfred Tennyson and Edward Lear were both good friends and frequently exchanged letters and verse. In 1862 Lear wrote: ‘I have been looking carefully over all Alfred Tennyson’s poems, & noting out all the Landscape subjects once more-which in all amount to 250. Sometimes I think I shall make the last effort of my life to illustrate the whole of these by degrees, & finally, having constructed a gallery near London -receive shillings for the sight of my pictures, & expire myself gradually in the middle of my own works-wheeling or being wheeled in a armchair.’ Lear produced 200 small wash drawings in the winter of 1884-85 which he mounted on large cards each with eight drawings inscribed with quotes by Tennyson underneath. Lear named this group of drawings – which includes the present and the two following works – his ‘Eggs’ and they were all kept at the Tennyson Research Centre, Lincoln, before being cut up and dispersed in 1980. Another, slightly larger set of 200 drawings (the ‘Chrysalisses’ set) is at the Houghton Library, Harvard University.Literature:Ruth Pitman, Edward Lear’s Tennyson, Manchester, 1988, pp.92-93, illustrated.

The Saleroom.

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Edward Lear, Wady Halfa, Egypt (1867)

Edward Lear, Wady Halfa, Egypt.
Signed with the monogram and dated 1884, further inscribed and dated ‘Feb. 3, 1867, watercolour and bodycolour
9cm x 17cm (3.5in x 6.75in)
Walker Galleries, London;Christie’s, London, 26 January 1984, lot 178.
The present work closely relates to a watercolour of the same subject and date at the Yale Center for British Art (inv. no. B1997.7.191).

 

The Saleroom.

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Edward Lear, One Tall Agave, Varenna

Edward Lear, One Tall Agave, Varenna, Lake of Lecco (Bellagio). Illustration to Tennysaon’s “The Daisy.”
Signed with the monogram and inscribed ‘Varenna’, further inscribed with the title under the mount and numbered ‘175’, grisaille
9.5cm x 14cm (3.75in x 5.5in)
Alfred, Lord Tennyson;by descent until 1980.
Literature:Ruth Pitman, Edward Lera’s Tennyson, Manchester, 1988, pp.172, illustrated.

The Saleroom.

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Edward Lear, Wall in Samos (1848)

Edward Lear, Wall in Samos.
Inscribed with the title and dated 3rd May 1848, further annotated with extensive colour notes, pen and ink, watercolour and bodycolourNote: It has been suggested that this is a view from the North of Cephalonia.
19cm x 28cm (7.5in x 11in)
Davis Galleries, New York.
During his two-month tour to Athens, mainland Greece and the island of Euboea in the summer of 1848, Edward Lear made almost 150 landscape drawings and kept a diary of his experiences and impressions. Lear had lived in Rome for the past ten years, but this seminal journey through Greece was to be the beginning of his travels throughout Europe, India, and the Middle East. Lear subsequently published the same view of Samos in his volume of twenty lithographs titled Views in the Seven Ionian Islands in 1863.

The Saleroom.

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Edward Lear Photograph

Clipped signature beneath an albumen print, circa 1860, clipped signature ‘Yrs. sincerely, Edward Lear’ in brown ink, mount aperture 3.3 x 5.5 cm, with albumen print of a seated Edward Lear with entourage in front of an encampment, mount aperture 20 x 28 cm, with another similar albumen print of Lear displayed to verso, framed and glazed, frame 38.5 x 45 cm.

The photograph might have been taken during Edward Lear’s trip to Petra.

Here is the whole framed item:

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Edward Lear, Desenzano

Edward Lear, Desenzano.
Pen, ink and wash. 4 x 12.2cm.

MutualArt.

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Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance (1849)

Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance, 1849.
Pencil, pen and brown ink and watercolour, heightened. 6 ¾ x 20 in. (17.2 x 50.9 cm.)

MutualArt.

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Edward Lear, Mont Blanc (1863)

Edward Lear, Mont Blanc.
Pencil, watercolour and bodycolour on blue paper. 6 ½ x 10 1⁄8 in. (16.5 x 25.9 cm.)

MutualArt.

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Edward Lear, River landscape, Naqadeh (1854)

Edward Lear, River landscape, Naqadeh (Iran)
Inscribed ‘Naqadeh 11AM 21 Jans 1854’ and numbered 108, watercolour, 6 x 15.5cm.

Provenance
with Ryman & Co Ltd, Oxford

Invaluable.

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Edward Lear, View on the Nile, Dishne (1867)

Edward Lear, View on the Nile, Dishne.
Inscribed ‘Near Dishne, 5.10PM Feby 27.1867’, and numbered 558, watercolour, 6 x 17cm.

Provenance
with Ryman & Co Ltd, Oxford.

Invaluable.

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