Edward Lear, Peacock

Edward Lear, Peacock.
Watercolor On Paper. 9″ x 7″ sheet, 17 3/4″ x 15 3/4″.

MutualArt.

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Edward Lear, A Pair of Birds on a Tree Branch

Edward Lear, a Pair of Birds on a Tree Branch.
Pencil, Watercolor And Bodycolor, Heightened With Gum-Arabic And Gold Paint. 7″ x 5″ sheet.

MutualArt.

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Edward Lear, Albetone, Monte Modino (1883)

Edward Lear, Albetone, Monte Modino (1883).

The Saleroom.

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Edward Lear, Study of a red and yellow macaw, Macrocercus Aracanga

Edward Lear, Study of a red and yellow macaw, Macrocercus Aracanga.
Pencil. 12.3 x 11cm (4 13/16 x 4 5/16in).

Provenance
Anon. sale, Sotheby’s, London, 15 July 1999, lot 127.
Private collection, UK.

When offered at Sotheby’s, it has been suggested by Vivien Noakes that this study relates to the group of working drawings for Illustrations of the Family of Psittacidae (Department of Printing and Graphic Arts, The Houghton Library, Harvard University). This drawing, which shows Lear concentrating particularly on the feathers, would have been executed in the Zoological Society of London between 1830 and 1832.

Bonhams.

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Edward Lear, An English Country House

Edward Lear, An English Country House.
Pen and ink. 31 x 50.5cm (12 3/16 x 19 7/8in).

Provenance
With Thos. Agnew & Sons Ltd., London, no. 29336.
Private collection, UK.

According to a label attached to the reverse, this work is from an album of drawings illustrating Tennyson’s poems. It is suggested that the work comes from the collection of Sir Osbert Sitwell, sold at Sotheby’s in 3 March 1965.

Bonhams.

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Edward Lear, Landscape with a viaduct and a castle in the distance (1850)

Landscape with a viaduct and a castle in the distance, 1850.
Pen and ink, and watercolour heightened with white on paper.  13.7 x 18.9cm; 5½ x 7½in

MutualArt.

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Edward Lear, Sen Remo (1864)

Edward Lear, San Remo. Dec. 10, 1864.
Pen and ink and watercolour with traces of pencil. 17.5 x 54cm (6 7/8 x 21 1/4in)

MutualArt.

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Edward Lear, Jafa (1884)

Edward Lear, Jafa.
Signed with the monogram and dated 1884, further inscribed and dated ‘Feb. 17. 1867’, watercolour and bodycolour
9cm x 17cm (3.5in x 6.75in)
Travelling by ‘the grumpy roary groanery of camels’ across the desert, Lear arrived in Palestine in the spring of 1867 after visiting Egypt during the first months of that year.

The Saleroom.

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Edward Lear, Dead Camel

Edward Lear, Dead Camel Getting Eaten by Buzzards.
Signed with the monogram, watercolour and bodycolour
18cm x 37cm (7in x 14.5in)

The Saleroom.

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Edward Lear, Ajaccio Sunrise, Corsica

Edward Lear, Ajaccio Sunrise, Corsica.
Signed with the monogram, pencil heightened with bodycolour
12.5cm x 19cm (5in x 7.5in)

The Saleroom.

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