Hans Christian Andersen by Jackie Wullschlager

Observer review: Hans Christian Andersen by Jackie Wullschlager
Hans Christian Andersen’s fairy-tales won him fame and wealth – but he probably died a virgin. Jackie Wullschlager tells the story of the life of the great storyteller.
Books Unlimited

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The sorrows of a great Dane

The sorrows of a great Dane
THE LIFE OF Hans Christian Andersen, told with thoroughness and sympathy in this new biography, was as peculiar, fascinating and painful as any of his celebrated fairy tales. This big-boned, gawky, lanky egotist was the ugly duckling, meeting snobbery and ridicule, particularly in his stuffy homeland, for several years before Denmark caught up with its most famous son�s internationalrenown.
Review of Wullschlager’s bio of Andersen.
booksonline

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More than just make believe

More than just make believe
Review of Jackie Wullschlager, HANS CHRISTIAN ANDERSEN: The Life of a Storyteller.
Wullschlager is right to give Andersen the credit for being the first person to choose the fairy story as a literary form and then invent new ones, thereby paving the way for Lewis Carroll and the British “golden age” of Victorian and Edwardian fantasy literature for children, not to mention many European books of the same sort. The Grimms, working at the same period, collected and wrote up fairy tales, changing them massively in the process, but unlike Andersen they never dared to invent from scratch.
The Sunday Times

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Why did Lear write 4 {2, 3, 5, 6} line limericks?

Why did Lear write 4 {2, 3, 5, 6} line limericks?
An expert’s answer to a frequently asked question.

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The cat poet

The cat poet
Eliot, a fan of the nonsense verse of Edward Lear, had been writing these thumpa-dump rhythm poems to amuse the children of his associates at the London publishing house, Faber and Faber, where Eliot worked. The book is dedicated to several children and to “the Man in White Spats,” presumably a cat.
The Spokesman-Review.com

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Karneval der Tiere

Karneval – Ensemble – Karneval der Tiere: Musiktheater mit Puppen fur Menschen ab 6 Jahren
Pages on a musical play with music by Camille Saint-Sa�ns and a text which uses Hans Magnus Enzensberger’s translation of The Duck and the Kangaroo.
In German.

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Edward Lear, Choropiskeros

Edward Lear, Choropiskeros, Corfu, a watercolour with pen, ink and coloured chalks
Here the precision and colouring of the distant landscape show the influence of the Pre-Raphaelites, whose style he attempted to emulate after meeting William Holman Hunt in 1852. The foreground, however, shows a free, bold handling in the manner of Turner, whose taste for the sublime in landscape he shared.
Compass � thebritishmuseum.ac.uk

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Several Large Flies

Edward Lear, L is much disturbed by several large flies, a drawing in pen and ink
This jolly sketch, in the manner of his comic illustrations, records an incident on a journey through Italy with his servant Giorgio Kokoli (‘K’). This is one of twenty-one from the series in the British Museum’s collections; they picture the mundane frustrations of the traveller with whimsical humour.
[I’m not so sure the journey was with Giorgio – Marco]
Compass – thebritishmuseum.ac.uk

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Calico Pie

Calico Pie – SBMP 241
Timothy STRANG’s music for Lear’s poem.

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Lost in Goreyland, Pursued by a Hippo

Lost in Goreyland, Pursued by a Hippo
The somehow cheerful drawing on the curtain � a headless man reclining comfortably on a pedestal � that greets theatergoers at “The Gorey Details” sends just the right message about the performance that is about to begin.
Date: October 17, 2000
Source: The New York Times | Section: Arts

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