Annotated Alice: the definitive edition

The Annotated Alice: the definitive edition
Lewis Carroll, with an introduction by Martin Gardner Allen Lane, The Penguin Press
The problem is that Gardner’s own analysis of Carroll proceeds via a false syllogism (a misapplication of logic that doubtless his subject – a pedantic and second-rate Oxford mathematics don – would have approved in his own defence, if not in his tutorials). For Gardner: a) all paedophiles manifestly wish to have sex with their objects of desire; b) there is no evidence that Carroll wished to have sex with Alice Liddell or his numerous other “child loves”; therefore, c) Carroll was not a paedophile.
New Statesman – Book Reviews

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The Wizard of Oz: An American Fairytale

The Wizard of Oz: An American Fairytale
A Library of Congress Exhibition.

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Vivien Noakes, Writer and Lecturer

Vivien Noakes, Writer and Lecturer
Welcome to the Home Page of Vivien Noakes.

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O'Donnell to Don Cat's Hat

Casting Herself as ‘Seussical’ Savior, O’Donnell to Don Cat’s Hat
Throwing her considerable box-office muscle behind the critically maligned musical “Seussical,” Rosie O’Donnell, Broadway’s biggest booster, announced yesterday that she would take over a leading role in the show next month. Ticket sales immediately soared.
The New York Times

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Braccelli: Bizzarie di Varie Figure

Braccelli: Bizzarie di Varie Figure
The Bizzarie (Livorno, 1624) can rightly lay claim to being a prime exemplar of the artistic enigma � a work truly without precedent or explanation beside itself. Its sensuous imagery, occupying a dreamlike space between thought and form, made it an underground sensation amongst twentieth-century artists and connoisseurs. The art historian Sir Kenneth Clark (1903�83) was instrumental in the rediscovery of Braccelli, and the poet Tristan Tzara (1896-1963) drew parallels between these etchings and the revolutionary artistic agendas of Dada and Surrealism.
[This is a very nice book of illustrations, about 50, which, while probably not quite nonsensical, have a lot in common with later nonsense illustration. While the reproduction is good, it is hard to appreciate the small pictures.]
Octavo Edition

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My soul is a strange factory

My soul is a strange factory
TRY this. Your first sentence is “Time is money” and your last sentence is “Thyme is funny”. Write the story – long or short – that joins the two. Be imaginative, but please stick to plausible leaps and bounds. And while you’re at it, make it a novel, and – why not? – a novel in verse. Use rhyming couplets. Done it? Then you’ve got the hang of the strange “procedure” of Raymond Roussel (1877-1933), a millionaire, an outrageous dandy, a homosexual who liked to stay tightly shut up in the closet and a sincere believer in his own genius. You should now find Mark Ford’s elegant, intense and detailed guide to the many huge works that Roussel produced with his phono-syntactic machine at least meaningful, if not completely irresistible.
booksonline

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Bell: Monograph of the Testudinata

Bell: Monograph of the Testudinata
Thomas Bell’s A Monograph of the Testudinata is one of the great reptile books, containing the finest series of colored plates of turtles ever published. A dental surgeon and professor of zoology, Bell was also a leading English naturalist when he began his ambitious attempt to summarize all the world�s turtles, living and extinct. Working with Bell to produce the forty plates was natural history artist James de Carle Sowerby, to whom Bell would send live specimens. But the genius of the published plates is largely attributable to Edward Lear (known to generations for his nonsense verse), whose reputation as the finest natural history lithographer of his age had earlier been established by a monumental folio on parrots.
[I had not realised so far that the book can be read online and the illustrations are quite good: buying the CD-ROM is still better, however]
Octavo Edition

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Gory stories for tiny tots

Gory stories for tiny tots
“Many of Edward Gorey’s most fervent devotees think he must be both a) English and b) dead,” reads the biographical note on one of his darkly illustrated tales of hapless babies, consumptive waifs and sexually traumatising furniture. “Actually, he has never so much as visited either place.”
No longer, sadly: though Gorey never did make it across the Atlantic, he is now – owing to a heart attack in April, aged 75, in the cat-filled Cape Cod farmhouse where he lived alone – a permanent resident of the other side. It’s easy to see why readers thought he moved there years ago, his more than 50 books seeming to have issued from the pen of the love child (orphaned, of course) of Ivy Compton Burnett and Edgar Allan Poe.
Books Unlimited

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The Oddness of Oz

ALISON LURIE: The Oddness of Oz
The year 2000 is the centenary of a famous and much-loved but essentially very odd children’s classic: L. Frank Baum’s The Wizard of Oz. Those who recall the story only from childhood reading, or from the MGM film, have perhaps never realized how strange the original book and its sequels are.
The New York Review of Books

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The Cat! The Whos! The Places They Go!

‘Seussical: The Musical’: The Cat! The Whos! The Places They Go!
Whoever the many chefs were, the finished product is a flavorless broth. The heightened brightness of all the ingredients � the eye- searing design palette, the dizzying lighting effects, the bouncy orchestrations, those mega-watt smiles � perversely meld into a general gray dimness.
The New York Times

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