Twentieth-Century American Children's Literature

Twentieth-Century American Children’s Literature

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Lear-ing

Lear-ing
by David Noland, about Lear’s travels in Calabria.
Delta-Sky.com

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Word-Twisting versus Nonsense

Word-Twisting versus Nonsense
from The Spectator, reprinted in Littell’s Living Age, Fifth Series, Volume LVIII, Apr-May-Jun 1887, pp. 379-81.

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A Review of Illustrated Excursions in Italy

A Review of Illustrated Excursions in Italy
(and Fanny Kemble’s A Year of Consolation) from the Quarterly Review, reprinted in Littell’s Living Age, no. 187, 11 December 1847, pp. 481-94.
Cornell University Making of America

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Lear necrology

Lear necrology from The New England Magazine. / Volume 6, Issue 33
March 1888, p. 302.

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Why I'll always have a soft spot for the lovely Lady Mondegreen

Why I’ll always have a soft spot for the lovely Lady Mondegreen
Homophones upset grammarians. But Mondegreen Rules, OK? They are a source of gaiety in the English language. Falstaff, Alice, Dickens and Edward Lear would be lost without them. Thomas Hood made an oeuvre from them. “His death which happen’d in his berth,/ At forty-odd befell:/ They went and told the sexton, and/ The sexton toll�d the bell.” Schoolboy riddles depend on them. “Waiter, waiter, what’s this?” “It’s bean soup.”
The Times

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The Uses of Enchantment

The Uses of Enchantment
In ”The Little Mermaid,” Hans Christian Andersen suggests that immortality can serve as a substitute, however unsatisfactory, for human love. The story is clearly an allegory for his own life, for the unloved Andersen, more than 125 years after his death, can lay as good a claim as anyone to artistic immortality. At a time when children’s stories were exclusively moral and didactic, he revolutionized the genre by infusing it with the humor, anarchy and sorrow of great literature. He expressed the most painful and rawest emotions with extraordinary aesthetic control; the results rivaled anything produced by the great Romantic writers who were his contemporaries. In his simple, unpretentious way he told us as much about the human condition (think of ”The Emperor’s New Clothes,” ”The Snow Queen,” ”The Fir Tree”) as any of the world’s writers and philosophers.
The New York Times Book Review

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How Come the Translation of a Limerick Can Have Four Lines (Or Can It?)

How Come the Translation of a Limerick Can Have Four Lines (Or Can It?)
by Gideon Toury
in: Word, Text, Translation: Liber Amicorum for Peter Newmark,
eds Gunilla Anderman & Margaret Rogers. Clevedon etc.: Multilingual Matters, 1999, 163-174.

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Poetics of Children's Literature

Poetics of Children’s Literature
by Zohar Shavit
The University of Georgia Press, Athens and London, 1986
[Full text online.]

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Pinocchio, questo benedetto toscano

Pinocchio, questo benedetto toscano
Concepito nell’aprile 1881, il capolavoro di Collodi compie centoventi anni. La Toscana ha perci� indetto il “1° Festival del Teatro di Pinocchio”. Molti spettacoli in tutta Italia.
[On the aniversary of Collodi’s conception of Pinocchio, with a short reference to EL.In Italian.]
Il Nuovo

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