Edward Lear, St. Jean, France (1865)

Edward Lear, St Jean de Cap Ferrat, France.
Inscribed lower left: St Jean. (Villefranche) / 11.30 am. / 5 February 1865, numbered lower right: (51), further inscribed with colour notes. Pen and brown ink and watercolour. 250 by 349 mm.

Provenance
The Rev. Percy Mordaunt Barnard (1868-1941) and his wife Alice, née Barnand, Thence by descent to their daughter, Nea Morin (1905-1986), Thence by descent to the present owners

In this on-the-spot drawing, Lear looks over a thick woodland of maritime pine and olive, past the habour of St Jean de Cap Ferrat and then on – to the end of the peninsular – where the sky-line is punctuated by the distinctive chapel and tower of the Saint Hospice.
Over the winter of 1864-5, Lear was on the south coast of France and he spent much time recording its ‘strangely wild and magnificent’ scenery.1 The present drawing was made on the 5th February 1865 and although seemingly a clear day, he makes a point of noting, in the bottom right of the composition, that there was a ‘high wind’.

1.   Diary, 6. xii. p. 64

Sotheby’s.

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Edward Lear, Topoli, Corfu & Noli, Italy

Edward Lear, Topolia, Greece.

Edward Lear, Noli, Italy.

Both inscribed, the first, lower left: Topolia [Greek text] / 10.30 AM. 28 April 1864, the second, lower right: Noli / 9.30 AM / 18 Decbr 1864.
Each pen and brown ink with watercolour, the first heightened with white. 170 by 275 mm. and 157 by 247 mm.

Sotheby’s.

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Edward Lear, Near Mosta, Northern Malta (1866)

Edward Lear, Near Mosta, Northern Malta, January 1866.
Inscribed lower right: Malta / near Musta [sic] / 14 January 1866. 11am / 26. Pen and brown ink and watercolour, heightened with bodycolour. 357 by 517 mm

Provenance
The Rev. Percy Mordaunt Barnard (1868-1941) and his wife Alice, née Barnand, Thence by descent to their daughter, Nea Morin (1905-1986), Thence by descent to the present owners.

In this large on-the-spot drawing Lear looks south across a valley laden with bushy ‘caruba’ trees, past the town of Mosta, with its celebrated ‘Rotunda’, and on to the walled city of Mdina, which served as Malta’s capital from ancient times through the middle of the 16th century. Punctuating the sky in dramatic fashion are the dome and belfries of St Paul’s Cathedral.
Lear visited Malta on three separate occasions: in 1848, 1862 and once again in 1866. The present work dates from this final tour. An ‘exhibition type’ watercolour, which may have been based on the present drawing, was sold in the these rooms on 6 June 2007, lot 210 (£10,800).

Sotheby’s.

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Edward Lear, Wady Tayibeh, Egypt (1849)

Edward Lear, Wadi Tayibeh, Egypt, January 20. 1849.
Pen and brown ink and watercolour over traces of pencil. 140 by 225 mm.

MutualArt.

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Edward Lear, View of Philae at Sunset (1862)

Edward Lear, View of Philae at Sunset, Egypt, 1862.
Watercolour. 175 by 248 mm.

MutualArt.

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Edward Lear, Wadi Halfa, Sudan (1867)

Edward Lear, Wadi Halfa, Sudan
Inscribed and dated ‘Wady Halfeh [sic] / 4.30.PM. Feby 3.1867’ (lower left) and inscribed again and dated [in pencil] (lower left) and numbered ‘(336)’ (lower right) and further inscribed with colour notes. Pencil, pen and brown ink and watercolour, heightened with touches of white on buff coloured paper. 11 ¾ x 20 7/8 in. (30 x 53 cm.)

Provenance
Ray Livingston Murphy (†); Christie’s, London, 19 November 1985, lot 69, where purchased by the present owner.

Wadi Halfa lies downstream of the Second Cataract, on the modern Sudanese-Egyptian border and the landscape around the area was markedly different from that found further north in Egypt. Lear was fascinated by the contrast and in a letter to Lady Waldegrave he wrote, ‘Nubia delighted me, it isn’t a bit like Egypt, except there’s a river in both. Sad, stern, uncompromising landscape, dark ashypurple lines of hills, piles of granite rocks, fringes of palm …’ (Lady Strachey, Later Letters of Edward Lear to Chichester Fortescue (Lord Carlingford), Lady Waldegrave and Others, published 1911, London, reprinted 1971, Hallandale, p. 66). Further examples of similar views from this series of drawings are in The Yale Center for British Art, New Haven (inv. B1997.7.192 and B1997.7.191).

Christie’s.

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Edward Lear, Laden Barges on the Nile (1867)

Edward Lear, Laden barges on the Nile
Watercolour – 8.5 x 24.5cm. Inscribed ‘1 p.m. Jan. 2 1867’ lower left. With colour notes and numbered 30 lower right

Provenance
Spink, London

The Saleroom.

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Edward Lear, Amalfi (Melfi?), Italy (September 1867)

Edward Lear, Amalfi, Italy, Sept. 1847.
Pencil, pen and brown ink and watercolour. 4 ½ x 6 in. (11.4 x 15.5 cm.)

Christie’s.

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Edward Lear, Hebron

Edward Lear, A view of the city of Hebron with camels and figures in the foreground.
Pencil, pen and brown ink and watercolour, heightened with touches of bodycolour on blue/grey paper. 6 x 9 1/8 in. (15.3 x 23.2 cm.)

Christie’s.

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Edward Lear, Castel Sant’Angelo, Corfu (1863)

Edward Lear, A distant view of the Castel Sant’ Angelo, Corfú, 1863.
Pencil, watercolour and bodycolour. 6 ½ x 10 1/8 in. (16.5 x 25.8 cm.)

MutualArt.
Christie’s.

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