Edward Lear, Laden Barges on the Nile (1867)

Edward Lear, Laden barges on the Nile
Watercolour – 8.5 x 24.5cm. Inscribed ‘1 p.m. Jan. 2 1867’ lower left. With colour notes and numbered 30 lower right

Provenance
Spink, London

The Saleroom.

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Edward Lear, Amalfi (Melfi?), Italy (September 1867)

Edward Lear, Amalfi, Italy, Sept. 1847.
Pencil, pen and brown ink and watercolour. 4 ½ x 6 in. (11.4 x 15.5 cm.)

Christie’s.

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Edward Lear, Hebron

Edward Lear, A view of the city of Hebron with camels and figures in the foreground.
Pencil, pen and brown ink and watercolour, heightened with touches of bodycolour on blue/grey paper. 6 x 9 1/8 in. (15.3 x 23.2 cm.)

Christie’s.

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Edward Lear, Castel Sant’Angelo, Corfu (1863)

Edward Lear, A distant view of the Castel Sant’ Angelo, Corfú, 1863.
Pencil, watercolour and bodycolour. 6 ½ x 10 1/8 in. (16.5 x 25.8 cm.)

MutualArt.
Christie’s.

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Edward Lear, Corfu from Viros (1862)

Edward Lear, A distant view of Corfu from Viros, 1862.
Pencil, watercolour and bodycolour. 7 x 9 7/8 in. (17.5 x 25 cm.)

Christie’s.

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Edward Lear, View on Mount Lebanon (1858)

Edward Lear, View on Mount Lebanon.
Possibly Mount Sannine titled ‘Lebanon’ lower left and dated ’18 May 1858′, numbered ‘176’ lower left inscribed throughout with colour annotations watercolour and pencil with white heightening 33 x 47.5cm.

Provenance
Acquired in 1938 by Sir Maurice Amos (the grandfather of the present vendor), His sister-in-law, Margaret Bushell (daughter of Colonel Sir Colin Campbell Scott-Moncrieff), Doctor Rachel Bromwich (née Amos, the present vendor’s mother), Thence by descent

In the Spring of 1858, on his way to visiting Petra, Edward Lear travelled through Syria, Palestine and Lebanon – his only visit to the country. After two months in Palestine, Lear arrived in Beirut and wrote to his sister Ann on 14th May: ‘This place…is quite different from anything in southern Palestine – & reminds me more of Naples by its numerous villas & gardens…today I shall make a drawing of Mt. Lebanon [in the distance], & the Bay & town – which are really lovely as a whole.’ Two days before the date of this study, Lear wrote in his diary: ‘Rose late. Very high wind. mountains invisible. In dressing ― without my glasses, took hold of a hornet, which stung my right hand’s middle finger very badly indeed. Happily, [Nartolion] relieved it, but I was unfit for 4 hours ― & could not move my hand or arm. At breakfast Dr. & Mrs. K. ― Afterwards ― later: packed for the Lebanon, ― leaving a chest, & 2 lots of things here. Letters came for Hasbey from Col. Churchill.’ Given Lear was already in Beirut at this time, it is likely that ‘packed for the Lebanon’ reflects his intention to visit the mountain range itself, where he subsequently made the present picture.

Invaluable.

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Edward Lear, Finale (1864)

Edward Lear, Finale, Italy.
Titled ‘Finale’ lower left and dated ’17. December 1864 11.15 A.M’ numbered ’56’ lower right and variously inscribed with colour notes to the cliff watercolour and ink with white heightening 23 x 34cm

Provenance
Acquired in 1938 by Sir Maurice Amos (the grandfather of the present vendor), His sister-in-law, Margaret Bushell (daughter of Colonel Sir Colin Campbell Scott-Moncrieff), Doctor Rachel Bromwich (née Amos, the present vendor’s mother), Thence by descent

A view of Finale from a similar viewpoint, made on the same day half an hour earlier, was previously sold at Cheffins (11th March 2020, Lot 45). Lear notes in his diary on this day: ‘At 9 ― went up to the Ponte or Gallery to draw, & G. passed me at 9.30. A very grand coast scene: drew till 12. Morning fine, & weather cold ― apparently more settled.’

Invaluable.

Edward Lear, Finale Ligure, Italy.
Inscribed in ink lower left “Finale / 10.45 AM / 17 December 1864” and with the artist’s annotations in pencil and ink watercolour 17 x 51.5cm.

Provenance
The Leger Galleries, 13 Old Bond Street, London W1, October 1972.

Cheffins.

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There was an Old Man whose repose…

There was an old man whose repose
Consisted in warming his toes —
When they said — “Are they done?” — He answered “What fun! —
Do you think I am cooking my toes?” —

From the Huntington digital collection.

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Two Important Catalogues

Karen Taylor has always had Edward Lear paintings and drawings in her catalogue and has now published one entirely devoted to him: Poetical Topography: Travels with Edward Lear, which covers his whole career.

It includes the full text of “Lays of the Octopods (The Last of the Octopods)” in case you missed my previous post on it or could not get to the issue of Notes & Queries and, of course many beautiful pictures.

Karen has also produced a nice catalogue about British Women Artists 1750-1950.

Guy Peppiatt also never disappoints, his latest catalogue, British Drawings and Watercolours 2024, includes several pictures by Edward Lear. In this case I found two very early pictures of flowers and butterflies for Miss Frase particularly interesting.

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Edward Lear, Sirmione, Lago di Garda

Edward Lear, “Sermione” [Sirmione], Lago di Garda.
Watercolour, signed with monogram and titled recto, labels verso, 12cm x 18cm, within a gilt frame.

Provenance
Marc and Ismini Fitch, thence by descent; Hallam, Lord Tennyson.

The Saleroom.

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