Edward Lear, Patti (1847)

Edward Lear, Patti.
Inscribed and dated ‘Patti 4 July 1847’ and numbered 2/2, and further inscribed with notes throughout, pencil and pen and ink. 30cm x 46cm (11.75in x 17.75in).

Patti, which is close to Messina, is most known for the magnificent ruins of the surrounding ancient Greek city of Tindari and the ruins of its ornate Roman villa, which dates back to the second and third centuries AD. Founded in 1094 by Norman King Roger II of Sicily, Patti was destroyed by Frederick of Aragon in 1300 due to its affiliation with the House of Anjou. Rebuilt in the 16th century, it was eventually sacked by Ottoman Turks.

Lyon & Turnbull.

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Edward Lear, Sunset on the Nile

Edward Lear, Sunset of the Nile.
Signed with monogram and inscribed ‘Nile’, watercolour. 17cm x 36.5cm (6.75in x 13.5in).

Provenance
Agnew’s, London, no.48070

At the end of his journey along the Nile, Lear writes on 25 February 1867 ‘In no place – it seems to me, can the variety & simplicity of colours be so well studied as in Egypt; in no place are the various beauties of shadow more observable, or more interminably numerous’

Lyon & Turnbull.

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Edward Lear, Walls of Pavia (1841)

Edward Lear, Walls of Pavia.
Signed and dated ‘Edw. Lear 11 May 1841’ and inscribed ‘Walls of Pavia’, watercolour.  6.5cm x 13.5cm (2.75in x 5.25in).

Provenance
Child’s Gallery, Boston

Apart from two visits to England, Lear stayed in Italy between 1837 and 1847 where he enjoyed financial freedom and was actively involved in the community of international artists in Rome. A fine example of Lear’s early landscapes, the present watercolour was executed when the artist travelled to England in the spring of 1841 after having spent the winter in Rome.

Lyon & Trunbull.

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Edward Lear, Sunset on the Nile near Mankabat (1867)

Edward Lear, Sunset on the Nile near Mankabat.
Inscribed and dated ‘5.20 sunset Jan 8 1867 (near Mankabat)’ and numbered ‘107’ and further inscribed with colour notes throughout, pen and ink and watercolour. 12.5cm x 19cm (5in x 7.5in).

Provenance
Colnaghi, London

This drawing can be compared with the watercolour titled Near Gan el Kebir and dated 9 January 1867 at the Yale Centre for British Art (inv.no.B1997.7.105). Both drawings were executed when Lear was travelling on the river Nile near the town Asyut, around 200 miles south of Cairo.

Lyon & Trumbull.

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Edward Lear, Wady Halfeh, Egypt (1867)

Edward Lear, Wady halfeh, Egypt.
Signed with the monogram, dated 1884 and inscribed ‘Wady Halfey Feb 3 1867’, watercolour. 9cm x 17.5cm (3.5in x 7in) .

Provenance
Childs Gallery, Boston;
Agnew’s London No. 15361

This work shows Wadi Halfa situated on the shore of Lake Nubia (Lake Nasser) on the present-day Sudanese-Egyptian border. Lear was particularly interested in the stark contrast between the landscape in Lower Egypt and Nubia writing in a letter to Lady Waldegrave ‘Nubia delighted me, it isn’t a bit like Egypt… Sad, stern, uncompromising landscape – dark ashy purple lines of hills, piles of granite rocks, fringes of palm, and ever and anon astonishing ruins of oldest temples.’

Lyon & Trumbull.

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Edward Lear, Drymades, Albania

Edward Lear, Drymades, Albania.
Signed with the monogram and inscribed ‘Drymades’, watercolour heightened with white. 11.5cm x 18cm (4.5in x 7.25in).

Provenance
Thos. Agnew & Sons Ltd, London

Lear painted some of the wildest and most dramatic countryside when he first travelled through Albania under challenging conditions in the autumn of 1848. Few foreigners had been to the remote area beyond Yannina. On occasion Lear was prevented from making drawings in this Islamic country where pictorial representations were regarded with fear and suspicion.

Lyon & Trumbull.

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Edward Lear, Sepolcro di Terone, Sicily (1847)

Edward Lear, Sepolcro di Terone, Sicily, Italy.
Inscribed, dated and numbered ‘Sepolero di Terone Gigenti 29 May 1847 (63)’ and further inscribed with notes throughout, pencil, pen and ink. 8.25cm x 25.5cm (3.25in x 10.25in).

Leaving Rome in April 1847, Lear travelled south together with John Proby (1780-1855), subsequently 2nd Earl of Carysfort. They stayed in Sicily from the 3rd of May to 19th of July, as a result of which a volume containing twenty Nonsense drawings of their adventures on the island was published in 1938 as Lear in Sicily. At the end of May they were in Agrigento, the city founded by Greek colonists in about 580 BC, and from there Lear wrote to his sister ‘Nothing of earth can be so beautiful as Girgenti with its 6 Temples — I speak of the old town — & the flowers & birds are beyond imagination lovely. I must however, need say that the gnats, fleas, flies, wasps, etc. etc.— require much philosophy to bear’.
The Tomb of Theron is located in the Valley of the Temples and dates from the 1st century BC. Theron (died 473 BC), son of Aenesidemus, was a Greek tyrant of the town of Acragas from 488 BC.

Lyon & Turnbull.

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Edward Lear, View of Mount Modino, near Abetone (1883)

Edward Lear, Edward Lear, View of Mount Modino, near Abetone, Tuscany.
Watercolour and brown ink. Titled and dated ’18 “20” August 1883′ (lower right). 30 x 54cm (11¾ x 21¼ in.)

Dreweatts.

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Edward Lear, Luxor

Edward Lear, Luxor, Egypt.
Pen, ink, and watercolour with white heightening. Signed (lower left), inscribed (lower right)11 x 18cm (4¼ x 7 in.).

Provenance
The Fine Art Society, London, September 1954

Dreweatts.

 

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Edward Lear, Sacro Monte di Varese (1879)

Edward Lear, Sacro Monte di Varese.
Black chalk, pen and brown ink, 275×495 mm. On the recto, lower left, pen and brown ink: “Sacromonte 8. Sept. 1879”

Exhibited
Edward Lear (1812 – 1888), Il viaggio come avventura estetica, vedute d’Italia, Milano, Finarte, 3 febbraio 1994

Bibliography
A. Porro, Edward Lear (1812 – 1888), Il viaggio come avventura estetica, vedute d’Italia. Catologo della mostra, Milano – Roma – Londra 1994, scheda 20.

Pandolfini.

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