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Edward Lear
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Category Archives: Limerick
The Learian Limericks Augmented and Revised
The Learian Limericks Augmented and Revised [I never thought they needed augmentation and/or revision; anyway here is Mr Jeliss’s presentation of his ‘improvements’ — Marco.] Many of the nonsense verses of Edward Lear which take the form now known as … Continue reading
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Self-similar syncopations
Self-similar syncopations: Fibonacci, L-systems, limericks and ragtime[This is an alternative (USA) URL for the same article mentioned below: it is really very interesting!]
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Self-similar syncopation
Self-similar syncopations: Fibonacci, L-systems, limericks and ragtime There are interesting symmetries shared by the limerick and ragtime, which can be observed and heard in their family groups of stressed and unstressed syllables, or beats, and which lie at the heart … Continue reading
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Why did Lear write 4 {2, 3, 5, 6} line limericks?
Why did Lear write 4 {2, 3, 5, 6} line limericks? An expert’s answer to a frequently asked question.
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