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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Gustave Verbeek (27)
- James Thurber (3)
- Lewis Carroll (68)
- Limerick (64)
- Nonsense Lyrics (29)
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Category Archives: Edward Lear
Edward Lear, View of Abu Simbel (1867)
Edward Lear, View of Abu Simbel. Signed with monogram and dated 1884 (lower right), inscribed ‘The Temples of Ipsambl. Feby 8. 1867′ (lower left), further inscribed ’14. Temples of Ipsambl.’ on the reverse. Watercolour. 9 x 17.5cm (3 9/16 x 6 7/8in). … Continue reading
Edward Lear, Malacca Parakeet
Edward Lear, A Malacca Parakeet, Palaeornis Malaccensis, an illustration for Prideaux J. Selby’s Natural History of Parrots, Edinburgh,W. H. Lizars; 1836. Signed and inscribed ‘E. Lear fct.’ (vertically from branch), inscribed ‘Plate 3d’ (upper left), and ‘Palaeornis Malaccensis/Plate’ (lower centre), indistinctly inscribed … Continue reading
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Edward Lear, Ravenna (1867)
Edward Lear, ‘Ravenna.’ Inscribed and dated ‘Ravenna.May 5.1867.8AM.’ (lower left), numbered ‘(13)’ (lower right) and inscribed with various colour notes. Pen and watercolour. 15.4 x 25cm (6 1/16 x 9 13/16in). Bonhams.
Northrop Frye on Edward Lear and the Limerick
From Northrop Frye’s 1932 Notebook: July 23 I read a book on the limerick the other day by some supercilious ass who talked about Edward Lear as a pioneer but a childish and inane primitive because his first and last … Continue reading
Edward Lear, L’Aquila (1845)
Edward Lear, L’Aquila, 1845. Black chalk, touches of pencil, wash, heightened with white, on light grey paper. Signed and dated 1845 lower left, inscribed Aquila lower left. 14 x 28 cm. (5 1/2 x 11 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
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Tagged Edward Lear, illustration, Italy, landscape, travel, watercolours
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Edward Lear, Lago di Fucino (1844)
Edward Lear, Lago di Fucino, 1844. Black chalk, pencil, touches of wash, heightened with white, on light grey coloured laid paper. Signed and dated 1844 lower right, inscribed Lago di Fucino lower left. 14 x 26 cm. (5 1/2 x 10 1/4 in), … Continue reading
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Edward Lear, Cannes (1882)
Edward Lear, A view of Cannes Signed with monogram and dated ‘1882’ (lower right) and inscribed ‘Cannes’ (lower left). Watercolour and gum arabic. 16.5 x 26cm (6 1/2 x 10 1/4in). Sold together with a letter from the artist. The present lot … Continue reading
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Tagged Edward Lear, France, landscape, letters, travel, watercolours
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Edward Lear, Monte Libro-Aperto (1883)
Edward Lear, A view of Monte Libro-Aperto, near Abetone, Italy. Inscribed ‘9.30-10. AM/Abetone 20 August 1883’ (lower right), further inscribed ‘Monte Libro-aperto/1900 metres/over 6000 feet’ (lower left), some further colour notes. Pen, ink and watercolour. 32.5 x 50.5cm (12 13/16 x 19 … Continue reading
Edward Lear, Lago d’Iseo
Edward Lear, Lago d’Iséo, Lombardy, Italy. Inscribed with the title (lower left), numbered ‘151’ (lower right) and bears the John Peter Cochrance collection stamp (on the mount inside, lower left). Brown ink and watercolour. 16.5 x 22.8cm (6 1/2 x 9in). Following … Continue reading
Edward Lear, View of Capri from across the Bay at Massa (1840)
Edward Lear, View of Capri from across the Bay at Massa, Italy. Signed, inscribed and dated ‘Edward Lear del. 1840/Capri from Massa’ (lower right) pencil and black chalk heightened with white. 10 x 16 5/8 in. (25.4 x 42.2 cm.) For a … Continue reading