Category Archives: Edward Lear

Edward Lear, Albe (1844)

Posted on November 29, 2016 by Marco Graziosi

Edward Lear, Albe, 1844. Black chalk, pencil, grey wash, heightened with white, on light buff paper. Signed and dated 1844 lower right, inscribed Albe lower left. 14 x 26 cm. (5 1/2 x 10 1/4 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Antrodoco (1844)

Posted on November 26, 2016 by Marco Graziosi

Edward Lear, Antrodoco, 1844. Black chalk, pencil, heightened with white, on light blue paper. Signed and dated 1844 lower left, inscribed Antrodoco lower right. 13 x 18 cm. (5 1/8 x 7 in). Provenance: John Scandrett Harford (1787-1866); thence by descent to … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Santa Maria di Luco (1844)

Posted on November 23, 2016 by Marco Graziosi

Edward Lear, Santa Maria di Luco, 1844. Black chalk, pencil, heightened with white, on light grey paper. Signed and dated 1844 lower right, inscribed S. Maria di Luco lower left. 9.5 x 20 cm. (3 3/4 x 7 7/8 in). Provenance: John Scandrett … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Buon Ricovero & Villa Cesia (1843)

Posted on November 20, 2016 by Marco Graziosi

Edward Lear, Buon Ricovero, 1843; Villa Caesia, 184[?]3. A pair, watercolour, heightened with white, on light blue paper. Both signed lower right, inscribed and dated Buon Ricovers, 1843, and Villa Caesia, 184 [?]3 , respectively. 8 x 14 cm. (3 1/8 x … Continue reading →

Posted in Edward Lear, Uncategorized | Tagged , , , , | Leave a comment

Edward Lear, Santa Maura (1863)

Posted on November 17, 2016 by Marco Graziosi

Edward Lear, Santa Maura. Brush and ink, watercolour, traces of graphite, on wove paper. Inscribed and dated ’19 April 1863 6PM’ lower right. 20.5 x 32 cm. (8 1/4 x 12 1/2 in). Provenance: Thomas Agnew & Sons, London (label on reverse, … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, A Venetian Sail Barge (1865)

Posted on November 14, 2016 by Marco Graziosi

Edward Lear, A Venetian sail barge. Brush and red ink, watercolour, touches of body colour, traces of graphite. Inscribed ‘Venice 24 Nov, b’r 1865 (53)’ lower right. 11.5 x 17 cm. (4 1/2 x 6 3/4 in) Provenance: Thomas Agnew & Sons, London … Continue reading →

Posted in Edward Lear | Tagged , , , | Leave a comment

Edward Lear, Sketches of Trees (1838)

Posted on November 11, 2016 by Marco Graziosi

Edward Lear, Sketches of trees. Graphite on blue wove paper. Signed and dated 1838 lower left. 26 x 18 cm.(10 1/4 x 7 1/8 in). Provenance: Spink, London (label on reverse, no. K3/4388); Thomas Agnew & Sons, London, 1970s. Bloomsbury.

Posted in Edward Lear | Tagged , , | Leave a comment

Edward Lear, Hajar Kim, Malta (1866)

Posted on November 8, 2016 by Marco Graziosi

Edward Lear, Hajar Kim, Krendy, Malta, 4 March 1866. Annotated sketch at the archaeoligical site of the prehistorical temple complex at Hagar Qim, near Qrendi in southern Malta, pen and sepia ink over pencil on buff paper, 360 x 525mm., annotated … Continue reading →

Posted in Edward Lear | Tagged , , , | Leave a comment

Edward Lear, Galera (1844)

Posted on November 6, 2016 by Marco Graziosi

Edward Lear, Galera, 1844. Watercolour, heightened with white, on light grey paper. Signed and dated 1844 lower right, inscribed Galera , March 5 lower left. 17.5 x 11 cm. (6 7/8 x 4 1/4 in). Provenance: John Scandrett Harford (1787-1866); thence by descent … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Ponte di Nona (1844)

Posted on November 5, 2016 by Marco Graziosi

Edward Lear, Ponte di Nona, 1844. Watercolour, over pencil, heightened with white, on light blue grey paper. Signed and inscribed Ponte di Nona lower left, dated Thursday. Feby. 1844 lower right. 11 x 18.5 cm. (4 1/4 x 7 1/4 in). Provenance: John … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment