Category Archives: Edward Lear

Inventing Edward Lear

Posted on February 25, 2019 by Marco Graziosi

It is not easy to review Sara Lodge’s Inventing Edward Lear (amazon.co.uk, amazon.com); it presents such a wealth of details that it is impossible to do it justice. In this scholarly study, Lodge proposes interpretations of almost all Lear’s classic … Continue reading →

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Concert of Edward Lear’s Words and Music

Posted on February 23, 2019 by Marco Graziosi

The Words and Music of Edward Lear David Owen Norris, Piano and Mark Wilde, Tenor The Edinburgh Society of Musicians, 3 Belford Road Saturday 9th March at 3:15pm We are all familiar with Edward Lear’s nonsense poems but he was also … Continue reading →

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Edward Lear, Adam’s Peak.

Posted on February 22, 2019 by Marco Graziosi

Edward Lear, Adam’s Peak, Columbo, Ceylon. Inscribed 23 Nov 8:30 am lower left and further inscribed with artists colour notes. Pencil and wash. 5 x 22.2 cm (2 x 8 3/4 inches). Provenance Christopher Fry and thence by descent. The Saleroom.

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Edward Lear, Landscape with Ruin (1846)

Posted on February 21, 2019 by Marco Graziosi

Desert landscape with ruin. Signed and dated 1846. Pencil heightened with white on buff paper. 12.5 x 23cm; 5 x 9in. The Saleroom.

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Edward Lear, Lake Nemi

Posted on February 20, 2019 by Marco Graziosi

Edward Lear, Lake Nemi. Inscribed with artist’s colour notes in pencil. Pencil on buff paper. 23.5 x 40.5 cm (9 1/4 x 16 inches). Provenance With Thomas Agnew & Sons Ltd, Old Bond Street; Christopher Fry and thence by descent. The Saleroom. Lear … Continue reading →

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Learite Bookplate

Posted on January 29, 2019 by Marco Graziosi

André Raffalovich’s bookplate by Austin Osman Spare. From the following auction: Private Press, Illustrated Books and Modern First Editions – Wednesday 30th January 2019 Beardsley (Aubrey) A Book of Fifty Drawings, with an Iconography by Aymer Vallance, [one of 500 … Continue reading →

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Edward Lear, A view of Mahe

Posted on January 20, 2019 by Marco Graziosi

Edward Lear, A view of Mahe, Kerala, India. Signed with monogram (lower left) and inscribed ‘Mahee.’ (lower right). Pencil and watercolor heightened with bodycolor. 6 5/8 x 10 ¼ in. (16.8 x 26 cm). Provenance Lady Adelaide Daumay. T. Bull. … Continue reading →

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Edward Lear, Jaffa (1858)

Posted on January 18, 2019 by Marco Graziosi

Edward Lear, Jaffa. Inscribed Jaffa and dated March 26:1858 (in ink over pencil), watercolour with pen and ink over pencil. 4.5 x 12.5cm. Provenance London, Sothebys, July 16th 1992, lot 165; Collection of Anthony Jenning The Saleroom.

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Edward Lear, On the Nile (1867)

Posted on January 16, 2019 by Marco Graziosi

Edward Lear, On the Nile. Inscribed and dated ‘4.40.Jany.5.1867/opposite Benihassan. looking south.’ (lower left), numbered ‘(79)’ (lower right). Pen, brown ink, watercolour and pencil. 8 x 26.5cm (3 1/8 x 10 7/16in). Bonhams.

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Edward Lear, Villefranche, Côte d’Azure (1865)

Posted on January 14, 2019 by Marco Graziosi

Edward Lear, Villefranche, Côte d’Azure, France. Inscribed and dated ‘Villefranche,/ 9-10 AM./ 5. Feby. 1865.’ and numbered ‘(49)’ (lower right) and further numbered ‘110’ (verso) and extensively inscribed with the artist’s notes. Pencil, pen and brown ink and watercolor. 15 … Continue reading →

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