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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Category Archives: Edward Lear
Edward Lear, Lago di Nemi
Edward Lear, Lago di Nemi. Pencil. Inscribed with colour notes by the artist. Exhibited Agnews. Abbot and Holder.
Midsummer Readings
Jagger, Jasmine. “Lear’s Tears.” Victorian Poetry 57.1 (2019). 101-129. And: Jagger, Jasmine. “The Endlessness of Alice.” The Cambridge Quarterly 45.1 (2016). 91-97. Caniglia, Maria Rossana, and Maria Concetta Fiorillo. “Disegno e narrazione in alcune vedute calabresi di Edward Lear.” ArcHistoR EXTRA … Continue reading
Posted in Edward Lear, General, Limerick
Tagged Edward Lear, essays, Italy, landscape, travel, watercolours
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Edward Lear, Sunset over a Desert Landscape
Edward Lear, Sunset over a desert landscape. Pencil heightened with white on buff paper, sheet 7.1×15.9cm. Provenance with Martyn Gregory, London, stock no. VA 343 Note This studio sketch dates from the artist’s time in Rome.framed, in a gilded moulding … Continue reading
Edward Lear, Plataea, Greece (1848)
Edward Lear, Plataea, Greece. Inscribed and dated ‘Platoea. [sic]/ 5. July. 1848’ (lower left), and numbered ‘123’ (lower right). Pencil, pen and brown ink and watercolour. 10⅛ x 16½ in. (25.8 x 41.9 cm.) Provenance Charles Church, a gift from … Continue reading
Edward Lear, Shepherd Resting on Ruins, Plataea (1848)
Edward Lear, Shepherd resting on ruins, Plataea, Greece. Inscribed and dated ‘Platoea / 5. July. 1848’ (lower left), numbered ‘124’ (lower right), and extensively inscribed with artist’s notes throughout. Pencil, pen and brown ink and watercolour, heightened with white. 12⅝ … Continue reading
Edward Lear, Two Views of Thebes (1848)
Edward Lear, Two views of Thebes. The frst inscribed and dated ‘Thebes & Cithaeron / 3. July. 1848 / (115)’ (lower right), and inscribed with artist’s notes throughout; the second inscribed and dated ‘Thebes / Thiva. / July 4. 1848. … Continue reading
Edward Lear, Zeitum (Lamia), Greece (1848)
Edward Lear, Zeitum (Lamia), Greece. Inscribed and dated ‘Zeitum/ Lamia./ 30. June. 1848.’ (lower left), and further inscribed, dated and numbered ‘(99) / Zeitum. 30. June. 1848’ (lower right). Pencil, pen and brown ink, blue and ochre wash. 6⅛ x … Continue reading
Edward Lear, Soldiers outside a Building, Ypati (1848)
Edward Lear, Soldiers outside a building, Ypati. Inscribed and dated ’29. June. 1848/ Patradgik../ (96)’ (lower right), and further inscribed ’25/ above’ (verso). Pencil pen and brown ink and watercolour. 10¼ x 7 in. (26 x 17.8 cm.) Provenance Charles … Continue reading
Edward Lear, The Gulf of Brolo from near Kokkinomilia (1848)
Edward Lear, The Gulf of Brolo from near Kokkinomilia. Inscribed and dated ‘Gulf of Brolo. / from near Kokinomelia. [sic] / 25. June. 1848’ (lower right), numbered ‘(82)’ (lower left), and extensively inscribed with artists notes throughout. Pencil, pen and … Continue reading
Edward Lear, Near Achmèt Agà, Greece (1848)
Edward Lear, Near Achmèt Agà, Greece. Inscribed and dated ’23. June. 1848 / near Achmèt Agà.’ (lower left), numbered ’71’ (lower right) and further inscribed ’17 in the middle’ (verso). Pencil, pen and brown ink and watercolour on buf paper. … Continue reading