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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Category Archives: Edward Lear
Edward Lear, Abydus, Egypt (1867)
Edward Lear, Abydus, Egypt. Watercolour heightened with white. Signed with monogram, titled and dated ‘1867’ (lower left). 16 x 25.5cm (6¼ x 10 in.) Provenance Ruskin Gallery, Stratford Upon Avon 1964 Property from the Estate of William W. Appleton His … Continue reading
Edward Lear, View at Fatehpur. Sikri, India (1874)
Edward Lear, View at Fatehpur. Sikri, India. Pen, ink, and watercolour. Inscribed and dated ‘Fattehpore. Sikree. Feby.28.1874’ (lower left), signed (lower right). 8.5 x 17.5cm (3¼ x 6¾ in.) Provenance Elizabeth Wintgens Gallery, Bucks. Christie’s, South Kensington, Travel and Natural … Continue reading
Edward Lear, Feluccas on a Stretch of the Nile between Manfalut and Assiut (1854)
Edward Lear, Feluccas on a Stretch of the Nile between Manfalut and Assiut. Pencil, pen and brown ink and watercolour. Inscribed, dated and numbered ‘Jany.9.1854/Benimhammed el Confour/between Manfaloot & Es-sioot./3/2PM / 47’ (lower right), colour notes throughout. 8 x 23cm … Continue reading
Edward Lear, Opposite Benihabra Looking South (1867)
Edward Lear, Opposite Benihabra Looking South. Watercolour, ink and wash. Inscribed and titled ‘4.40 jany 5 1867’ (lower left) numbered 79 (lower right). 7.5 x 26cm (2¾ x 10 in.) Dreweatts.
Edward Lear, Sunset on the Nile (1854)
Edward Lear, Sunset on the Nile. Watercolour. Indistinctly inscribed and dated ‘Jany 11 1854, sunset’ (lower left), numbered ’53’ (lower right). 6.5 x 15cm (2½ x 5¾ in.) Dreaweatts.
Edward Lear, Isola Pescatore, Lake Maggiore (1837?)
Edward Lear, Isola Pescatore, Lake Maggiore. Pencil with White chalk on blue paper. 9 3/4″ x 13 1/4″ sheet, 21 1/2″ x 25 1/2″ framed. After 1837, Lear lived mainly in Italy and Corfu. On 31 October 1836 he wrote … Continue reading
Edward Lear, Taygetus, near Mystras (1849)
Edward Lear, Taygetus (near Mystras). Dated lower left and right: 22 March 1849, title lower left (in ink) and right (in pencil). 15 x 22,5 cm. Ink and pencil on paper. Invaluable.
Posted in Edward Lear
Tagged Edward Lear, France, Greece, landscape, travel, watercolours
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A Touching Appeal: A Parody of “The Yonghy-Bonghy-Bò”
Punch, Vol. 107 (17 November 1894), pp. 234-235. From Amy Matthewson’s Cartooning China: Punch, Power, & Politics in the Victorian Era. London and new York: Routledge, 2022, pp. 114-116. John Tenniel’s “A Touching Appeal” depicts an overgrown childlike Chinese man named Younghy-Bung-Boo-Hoo … Continue reading
Posted in Edward Lear, Nonsense Lyrics, Punch
Tagged Edward Lear, John Tenniel, nonsense rhymes, parody, Punch
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Edward Lear, The Nile at Kasr-es-Saad
Edward Lear, The Nile at Kasr-es-Saad. Inscribed ‘Nile. Kasr es Saad’ (lower left). Watercolour and bodycolour. 17.5 x 37.5cm (6 7/8 x 14 3/4in). Provenance The Honourable Eustace Henry Dawnay, 8 Belgrave Square, London. Thence by family descent to the … Continue reading
Edward Lear, View from St. Jean towards Villefranche (1865
Edward Lear, View from St. Jean towards Villefranche. Dated ‘1865’ (lower left); numbered ’37’ (lower right); inscribed ‘from/Ville St. Jean/(Villefranche) 15. February 1.PM.’ (on a fragment of paper attached beneath the mount); extensively inscribed with colour notes throughout. Watercolour and … Continue reading