Author Archives: Marco Graziosi

Edward Lear, The Gorge at Wady Barada, Lebanon (1858)

Posted on February 12, 2021 by Marco Graziosi

Edward Lear, The Gorge at Wady Barada, Lebanon. Pen and brown ink and watercolour over pencil, on grey paper; inscribed, lower right: Suk Wady Barada / 25 May 1858 / (215), and further inscribed with colour notes. 365 by 525 mm. Provenance … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Gebel Serbal (1849)

Posted on February 11, 2021 by Marco Graziosi

Edward Lear, Gebel Serbal, Egypt. Pen and brown ink and watercolour over pencil; inscribed, lower right: Gebel Serbal / 30 Jany.1849 / 1 P.M., numbered, lower left: 179., and further inscribed with colour notes.  130 by 225 mm. Provenance Sale, London, Sotheby’s, 16 July 1987, … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Nubians at the First Cataract on the Nile at Philae (1867)

Posted on February 10, 2021 by Marco Graziosi

Edward Lear, Nubians at the First Cataract on the Nile at Philae, Egypt. Pen and grey ink and watercolour over pencil; inscribed in ink and pencil, lower left: Cataract 1st / 11. A.M. / Jany 30. 1867, further inscribed, lower centre: Nubians mostly white, some … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, The Grand Canal looking towards the Rialto Bridge, Venice (1865)

Posted on December 28, 2020 by Marco Graziosi

Edward Lear, The Grand Canal looking towards the Rialto Bridge, Venice. Pen and brown ink and watercolor over pencil; dated lower right: 13 November 1865 (2.pm), extensively inscribed with the artist’s color notes. 352 by 504 mm; 13 7/8 by 19 7/8 … Continue reading →

Posted in Edward Lear | Tagged , , , , | 1 Comment

An Edward Lear Alphabet, a Story and a Letter in Italian

Posted on December 24, 2020 by Marco Graziosi

The British Library website has published the manuscript of Edward Lear’s History of the Seven Families of Lake Pipple-Popple, which also contains a full Nonsense alphabet and another version of “High diddle diddle.” Add MS 47462: ‘Written & illustrated for Lady … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

An Early Limerick Manuscript

Posted on December 19, 2020 by Marco Graziosi

Manuscript. An illustrated book of limericks, circa 1865, 32pp., each with large illustration and limerick beneath in brown ink, some spotting and marks, paper watermarked ‘T & J H 1865’, sheet size 14 x 23cm (5.5 x 9ins), stitching broken … Continue reading →

Posted in Edward Lear, Limerick | Tagged , | Leave a comment

Edward Lear, Cefalu (1847)

Posted on November 28, 2020 by Marco Graziosi

Edward Lear, Cefalu. Ink and pencil on buff paper. ‘Cefalu’ inscribed and dated 8th July 1847 and numbered 226, Spink & Son Ltd label verso. 8 x 12.75in. Watercolour on paper which is showing some undulation so thought not to … Continue reading →

Posted in Edward Lear | Leave a comment

Edward Lear, Pentedatilo

Posted on November 27, 2020 by Marco Graziosi

Edward Lear, Pentedatilo, Calabria, Italy. Pen and brown ink and watercolour; signed with the artist’s monogram lower left. 164 by 257 mm. Lear travelled through Calabria in southern Italy in 1847, and he recorded in his journal upon his arrival in late … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Assiut on the Nile

Posted on November 26, 2020 by Marco Graziosi

Edward Lear, Assiut on the Nile, Egypt. Pen and brown ink and watercolour; inscribed with artist’s colour notes, unframed. 138 by 312 mm. Provenance Sale, London, Bonham’s, 8 June 2004, lot 58; with James Mackinnon. Having initially travelled to Egypt in 1849, … Continue reading →

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Lago d’Iseo (1867)

Posted on November 25, 2020 by Marco Graziosi

Edward Lear, Lago d’Iseo. Signed and dated May 21, 1867, and extensively inscribed, mixed media, 10.5cm by 20cm. Tennants. See also.

Posted in Edward Lear | Tagged , , , , | Leave a comment