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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Gustave Verbeek (28)
- James Thurber (3)
- Lewis Carroll (69)
- Limerick (66)
- Nonsense Lyrics (29)
- Peter Newell (88)
- Podcasts (40)
- Punch (2)
- Uncategorized (17)
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Author Archives: Marco Graziosi
Cylinder Nasties and Some T.S. Eliot Limericks
One of the “Limerick Company” I occasionally hear from, Bob Turvey, mentioned the following article from the 5 March 2023 Sunday Times “Culture” supplement, pp. 24-25: Here is the passage of interest from the book being reviewed: Another star, and arguably … Continue reading
Punch and “The Owl and the Pussy-cat”
Doug Harris reports on the conutinuing interest of Punch for Edward Lear’s most famous poem.
John Parry’s Stray Leaves from “A Book of Nonsense”
This page containing nine limericks (which was kindly provided by Doug Harris) comes from John Parry’s Ridiculous Things Scraps and Oddities: Some with and Many Without Meaning, London: T. McLean, 1854. In the November 20, 1869 issue of Once a … Continue reading
Posted in Edward Lear, Limerick, Nonsense Lyrics
Tagged Albert Smith, Edward Lear, John Parry, Limerick, nonsense rhymes
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Edward Lear, Near Mount Sinai (1849)
Edward Lear, Egypt; near Mount Sinai. Pencil, pen and ink. Inscribed and dated, ’21 January 1849 / 5 pm’. 12×19.75 inches. Abbott and Holder.
Edward Lear, Hebron (1858)
Edward Lear, Hebron, figures and camels, the city beyond, c.1858. Signed ‘Edward Lear del.’ l.l., inscribed ‘Hebron’ l.r., pen and ink and watercolour heightened with white. 15.4 x 23cm. Provenance With Leger Galleries, London, by December 1982. Edward Lear travelled … Continue reading
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Tagged Edward Lear, landscape, Palestine, travel, watercolours
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Edward Lear, Young Boys Bathing, Pisa in the Distance (1861-1863)
Edward Lear, Young boys bathing, Pisa in the distance. Watercolour and bodycolour. Monogrammed and dated 1861 and 1863. 15 x 25cm. The Saleroom.
Edward Lear’s Views in Rome and Its Environs in colour
[17. Via Porta Pinciana, Rome looking to the Quirinal Palace.] Edward Lear, Views in Rome and its Environs; Drawn from Nature and on Stone, lithographed title vignette of Ostia and 25 lithographed views of Rome and the Campagna by Lear, … Continue reading
Edward Lear, Jerusalem (1858)
Edward Lear, Jerusalem. Inscribed and dated ‘Jerusalem/april.28.1858./(too cold to finish it)’ (lower right) and variously annotated in pencil pen and brown ink, pencil and sepia wash. 20.6 x 31.1cm (8 1/8 x 12 1/4in). Provenance Private collection, UK. Edward Lear … Continue reading
Posted in Edward Lear
Tagged Edward Lear, landscape, Palestine, travel, watercolours
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Convolvulus Seasideiensis
Convolvulus Seasideiensis. “This delicate Animal has been see in great Abundance this Autumn all round the Coast. It flourishes best in exposed situations, and during [Inclement], windy Weather. 19th Century School in the Manner of Edward Lear (1812-1888) – Ink … Continue reading
Edward Lear Gezhir Eddomarieh (1854)
Edward Lear, A view on the Nile. Indistinctly inscribed and dated G*zkir Eddomarie* [Gezhir Eddomarih] 25 Jan 1854 . ½PM (lower left) and numbered 129 (lower right). Watercolour. 6.5 x 14.9cm; 2½ x 5¾in Provenance Private Collection, Wiltshire The Saleroom.