Author Archives: Marco Graziosi

Edward Lear, Narkunda (1874)

Edward Lear, Narkunda, [India]. Watercolour study heightened in white – ‘Narkundo’, 29th April 1874, monogrammed lower right, 10cm x 17.5cm, mounted and framed under glass. The Saleroom.

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Edward Lear, Tor de’ Schiavi, Campagna de Roma

Edward Lear, Tor de’Schiavi, Campagna di Roma. Signed with monogram (lower left). Pencil and watercolour, heightened with white and with scratching out. 7 x 14 ¾ in. (17.8 x 37.5 cm.) Provenance The artist, by whom given to Chichester Fortescue, … Continue reading →

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Edward Lear, La Cava (1838)

Edward Lear, La Cava, Italy. Signed with monogram (lower right) and inscribed ‘La Cava’ (lower left). Pencil and watercolour heightened with bodycolour on paper. 6 ½ x 10 3⁄8 in. (16.5 x 26 cm.) The highly finished nature and tight … Continue reading →

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Edward Lear, Two Views of Thebes (1848)

Edward Lear, Two views of Thebes. The first inscribed and dated ‘Thebes & Cithaeron / 3. July. 1848 / (115)’ (lower right), and inscribed with artist’s notes throughout; the second inscribed and dated ‘Thebes / Thiva. / July 4. 1848. … Continue reading →

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Edward Lear, Four vignette studies of birds

Edward Lear, Four vignette studies of birds – a pair of parrots, a flamingo, an avocet and a merganser, each signed ‘E. Lear.’ (lower left). All pencil, with watercolour and bodycolour, two heightened with gold, on paper. two 9 x … Continue reading →

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Edward Lear, The Gulf of Brolo from near Kokkinomilia (1848)

Edward Lear, The Gulf of Brolo from near Kokkinomilia. Inscribed and dated ‘Gulf of Brolo. / from near Kokinomelia. [sic] / 25. June. 1848’ (lower right), numbered ‘(82)’ (lower left), and extensively inscribed with artists notes throughout. Pencil, pen and … Continue reading →

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Edward Lear, Plataea (1848)

Edward Lear, Plataea, Greece. inscribed and dated ‘Platoea. [sic]/ 5. July. 1848’ (lower left), and numbered ‘123’ (lower right). Pencil, pen and brown ink and watercolour on paper. 10 1⁄8 x 16 ½ in. (25.8 x 41.9 cm.) Provenance Charles … Continue reading →

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Edward Lear, Bellagio, Lago di Como (1867)

Edward Lear, Bellagio, Lago di Como. Inscribed and dated ‘Lago di Como. Bellagio./ 6.AM. 27th. & 5.PM. 26th May. 1867./  Pinewood very dark. Stems red gray.’ (lower left) and numbered ‘(170)’ (lower right) and further inscribed throughout with colour notes. … Continue reading →

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Edward Lear, Dendera, Egypt (1867)

Edward Lear, Dendera, Egypt. Inscribed and dated ‘Dendera/ 4.30.PM./ January 15/ 1867’ (lower left) and numbered ‘(173)’ (lower right), and further inscribed with colour notes throughout. Pencil, pen and brown ink and watercolour, heightened with touches of white on paper. … Continue reading →

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An Unpublished Limerick (4)

The last of the manuscript limericks does not have a picture. Written in pencil, and in a different hand. There was a young Lady of Tweedle Who in Church sat down on a needle With the calmest of smiles She … Continue reading →

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