Author Archives: Marco Graziosi

Edward Lear, View of Catania (1847)

Edward Lear, View of Catania. China and gouache on paper, 31.8×47.6 cm. Dated Catania 18 June 1847 lower left. Associazione nazionale case d’asta.

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Edward Lear, Saint Peter from Villa Doria Pamphili, Rome (1844)

Edward Lear, Saint Peter from Villa Doria Pamphili, Rome. Pencil, ink and watercolor on paper, 18,7×41 cm. Dated March. 15 and other days./ 1844 lower left. Associazione nazionale case d’asta.

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Edward Lear, Olevano

Edward Lear, Olevano. Pencil and watercolor, 13,4×14,7 cm. Titled and signed lower right. Associazione nazionale case d’asta.

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Edward Lear, Tomb of Cecilia Metella, Rome (1839)

Edward Lear, Tomb of Cecilia Metella, Rome. Pencil and white tempera on paper, 25.3×34.5 cm. Signed, titled and dated Tomb of Cecilia Metella/ Rome/ Edward Lear del 1839 lower left. Associazione nazionale case d’asta.

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Edward Lear, Parnassus

Edward Lear, Parnassus. Pencil and ink wash on paper. 13.25″h x 23″w (sight) 24″h x 33″w (frame) MutualArt.

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Edward Lear, Amalfi (1844)

Edward Lear, Amalfi. Pencil, pen and brown ink and watercolour, entitled Amalfi, numbered 3 and dated 6th June 1844, approx 20 x 33 cms on watermark paper, unframed. Provenance Property of a lady – London, originally purchased at the Christies … Continue reading

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Peter Newell, Cover for the Sunday Magazine of the Sunday Record-Herald

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Peter Newell on George Washington

More Peter Newell silliness.

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Peter Newell, Book with Cut-Out Eyes

No Edward Lear, for a change. I suspect this manuscript chapbook was a prototype for Peter Newell’s 1909 Jungle Jangle, a mild satire of Theodore Roosevelt. This “untitled book with cut-out eyes” is available on the Yale University Library website, … Continue reading

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Edward Lear, Suda Bay, Crete

Edward Lear, Suda Bay, Crete. Signed with initials and titled (lower left). Watercolour on paper. 17.5 x 36.8cm (6 7/8 x 14 1/2in). Provenance The Parker Gallery, London. Private collection, Athens. Bonhams.

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