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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Comics (68)
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- Dr. Seuss (22)
- Edward Gorey (15)
- Edward Lear (1,277)
- General (139)
- Gustave Verbeek (27)
- James Thurber (3)
- Lewis Carroll (68)
- Limerick (64)
- Nonsense Lyrics (29)
- Peter Newell (87)
- Podcasts (40)
- Punch (2)
- Uncategorized (17)
- WS Gilbert (1)
Author Archives: Marco Graziosi
Edward Lear, Lacca in Paxo (1863)
Edward Lear, Lacca in Paxo. Inscribed and dated 9 April 1867 [actually 1863, 2 P.M.], pen and sepia ink with colour washes and white, 35 x 52cm. The Saleroom.
Edward Lear, View of Cogoleto (1864)
Edward Lear, View of Cogoleto, Italy. Inscribed and dated High wind & cold/Cogoletto [sic]/3.30pm/24 Dec 1864 (lower left), numbered (82) (lower right), and further inscribed elsewhere with colour notes. Pen and brown ink, and watercolour. 36.7 x 54.6cm; 14½ x 21½in … Continue reading
Edward Lear, View of Porto Maurizio (1864)
Edward Lear, View of Porto Maurizio, Italy. Dated and inscribed Porto Maurizio/9 AM/29 December 1864 (lower left), numbered (114) (lower right) and further inscribed throughout with colour notes. Pen and ink, and watercolour, heightened with white. 32.9 x 49cm; 13 x … Continue reading
A Misattributed Supposed Caricature of Edward Lear
The above item is to be auctioned in the next few days with the following description: An original watercolour caricature of Edward Lear, by original cartoonist of Punch magazine, Matthew (Matt Somverille Morgan), circa 1850, 65cm x 48cm overall, framed. … Continue reading
Edward Lear, Ravenna (1867)
Edward Lear, Ravenna. Watercolour sketch, ‘Ravenna 10.30 AM May 5 1867’, marked in pencil verso. 16.4cm x 24.9cm. Lear is known to have done another, almost from the same spot (different light), which was sold at Bonhams lot 71 on … Continue reading
Edward Lear, The Colossi of Memnon (1854)
Edward Lear, The Colossi of Memnon. Pen, coloured ink and coloured wash. Inscribed and dated ‘Thebes, 20 Feb 1854’ (lower right), colour notes throughout. 11 x 32.5cm (4¼ x 12¾ in.) Edward Lear travelled to Egypt in 1854, following the … Continue reading
Edward Lear, El Kab, Egypt (1854)
Edward Lear, El Kab, Egypt. Pen, ink, and watercolour, heightened with white. Inscribed with title and dated ’13 Feb 1854′ (lower left), colour notes throughout. 20 x 33.5cm (7¾ x 13 in.) Provenance Leger Galleries, London, November 1970 Edward Lear … Continue reading
Edward Lear, Ravello (1844)
Edward Lear, ‘Ravello, 9 June 1844’. Pen and ink, 16 x 12cm, mounted but unframed. Lear was in the area on Ravello on this date, evidenced by other works from June 1844 including pen sketch of Amalfi inscribed and dated … Continue reading
Edward Lear, Èze, Southern France
Edward Lear, Èze, Southern France. Watercolor and bodycolor, heightened with white and gum arabic. 122 by 186 mm; 4⅞ by 7⅜ in. MutualArt.
Matchbox-Styled Book: The Limericks
A few weeks ago, kind Dough Harris sent me an extract from a book he recently acquired. Here is how he describes it: An interesting matchbox-styled booklet dropped through my letterbox today. Supposedly part of the ‘Safety [or Safest – … Continue reading