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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Comics (68)
- Cruikshank (4)
- Dr. Seuss (22)
- Edward Gorey (15)
- Edward Lear (1,278)
- General (139)
- Gustave Verbeek (27)
- James Thurber (3)
- Lewis Carroll (68)
- Limerick (64)
- Nonsense Lyrics (29)
- Peter Newell (87)
- Podcasts (40)
- Punch (2)
- Uncategorized (17)
- WS Gilbert (1)
Author Archives: Marco Graziosi
Edward Lear, In the Campagna near Rome
In the Campagna, near Rome Indistinctly inscribed and dated ‘E Lear. Del. 1845’ (lower left) and inscribed ‘Edward Lear/1844’ (on a label attached to the reverse). Oil on canvas 11½ x 29 in. (29.2 x 73.7 cm.)
Two Corfu Paintings by Edward Lear
Corfu from the village of Ascension Corfu from the Benitza Road, on the hill of Gastouri Signed with monogram and dated ‘1862’ (one lower left and one lower right), one inscribed ‘Corfu from Ascension/Painted by me in Corfu, 1862./Edward Lear.’ … Continue reading
Something to Read
I do not have much time for posting at the moment, though I regularly update the list of events for the 2012 bicentenary. Here are a few interesting items on Edward Lear and nonsense in general: “Jumblies and Jabberwockies. The … Continue reading
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Nonsense Pure and Simple
THE author of a suggestive and interesting paper in the current number of the Quarterly Review, entitled “Nonsense as a Fine Art,” [pdf download] discourses with considerable plausibility on the “infinite worth” of Sense’s antithesis. But in calling Nonsense “a … Continue reading
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Edward Lear Obituary from the Saturday Review
EDWARD LEAR, the artist, author of Journals of a Landscape Painter in various out-of-the-way countries, and of the delightful Books of Nonsense, which have amused successive generations of children, died on Sunday, January 29, at San Remo, where he had … Continue reading
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Edward Lear Paintings in UK Collections
Stephen Duckworth has sent me a list of paintings, watercolours and drawings by Edward Lear (pdf) in UK public collections. We will try to keep you updated on which are going to be displayed during 2012.
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The Science of Nonsense
MR. LEAR has followed up his delightful “Book of Nonsense” by a new one, called “Nonsense Songs, Stories, Botany, and Alphabets,” [R.J. Bush, Charing Cross.] which contains many great triumphs of the scientific feeling for nonsense, and we are disposed … Continue reading
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Children’s Books for Christmas 1871
Sing-Song: a Nursery-rhyme Book. By Christina G. Rossetti. With 120 Illustrations by Arthur Hughes. Routledge. The Princess and the Goblin. By George Macdonald. Strahan. Through the Looking-glass, and what Alice saw there. By the Author of Alice’s Adventure in Wonderland. … Continue reading
Mr Lear’s New Nonsense
[The idea of “correcting” Edward Lear’s nonsense, which I discussed while reviewing John Crombie’s nice booklet, is as old as Lear’s books. Here is a review from 1871.] Mr. Lear commences his new book of nonsense with an amusing account … Continue reading
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The Old Man of Corfu Who Fancied a Loo with a View
No feature of Edward Lear’s limericks has attracted greater criticism than the repetitive last lines; sooner or later someone was bound to try to ‘improve’ them by providing a more satisfying ending to Lear’s “nonsenses,” as he generally refferred to his … Continue reading
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