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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
Twitter Updates
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- Comics (69)
- Cruikshank (4)
- Dr. Seuss (22)
- Edward Gorey (15)
- Edward Lear (1,311)
- General (140)
- Gustave Verbeek (28)
- James Thurber (3)
- Lewis Carroll (69)
- Limerick (66)
- Nonsense Lyrics (30)
- Peter Newell (88)
- Podcasts (40)
- Punch (2)
- Uncategorized (17)
- WS Gilbert (1)
Author Archives: Marco Graziosi
Edward Lear, Olive trees, Corfu (11857)
Edward Lear, Olive trees, Corfu. Signed with monogram and inscribed and dated ‘Corfu / December / 17 / 1857’ (lower left); signed inscribed and dated ‘E Lear Corfu December 17 1857’ (lower right). Oil on board. 17 3⁄4 x 21 … Continue reading
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Tagged Corfu, Edward Lear, Greece, landscape, oil paintings, travel
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Edward Lear, An Olive Grove, Corfu, a sailing boat to the right (1857)
Edward Lear, An Olive Grove, Corfu, a sailing boat to the right. Inscribed and dated ‘Corfu / December 22 / 1857’ (lower left); Inscribed and dated ‘Corfu December 22 1857’ (lower right); and further inscribed and dated ‘1857 / H. … Continue reading
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Tagged Corfu, Edward Lear, Greece, landscape, oil paintings, travel
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Edward Lear, A Scarlet-Throated Tanager in a Tree
Edward Lear, A scarlet-throated tanager in a tree. Signed ‘E. Lear’ l.c., pencil, watercolour and bodycolour. 18 x 16cm Provenance The collection of Mr and Mrs Nigell D’Oyly.
Edward Lear, A Black-Spotted Barbet
Edward Lear, A black-spotted barbet, c.1830 Signed ‘E. Lear’ l.l., pencil, watercolour and bodycolour. 16 x 14cm, framed oval. Provenance The collection of Mr and Mrs Nigell D’Oyly. Literature Viven Noakes, ‘Edward Lear 1812-1888 at the Royal Academy of Arts’, … Continue reading
Edward Lear, A Thick-Billed Euphonia on a Branch
Edward Lear, A thick-billed euphonia on a branch. Signed ‘E. Lear’ l.r., pencil, watercolour and bodycolour. 20 x 15cm Provenance The collection of Mr and Mrs Nigell D’Oyly The Saleroom.
Edward Lear, A Golden-Headed Manakin in a Tree
Edward Lear, A golden-headed manakin in a tree. Signed ‘E. Lear’ l.r., pencil, watercolour and bodycolour. 20 x 15cm Provenance The collection of Mr and Mrs Nigell D’Oyly The Saleroom.
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Tagged Edward Lear, landscape, ornithology, zoological illustration
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Edward Lear, A Working Sketch (1884)
Edward Lear, from a sketchbook – a small working sketch, castle view across a lake, later inscribed and dated ‘Lear, 1884, 13.5cm x 18.5cm. Bamfords. This looks like a Lear sketch, but the signature and date are not in his … Continue reading
Edward Lear, On the Road to Galle (1876)
Edwqared Lear, On the Road to Galle. Watercolour, pencil and gum arabic, heightened with white. 40 x 26cm (15½ x 10 in.) MutualArt.
Edward Lear, Askalon (1867)
Edward Leara, Askalon, Israel. Inscribed and dated ‘1.20pm, April 5. 1867’, extensively annotated, pen and ink and wash. 13cm x 51.5cm (5in x 20.25in) Provenance Durlacher Brothers, New York; George Dix Gallery, New York, by 1947; Childs Gallery, Boston, where … Continue reading
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Tagged Edward Lear, landscape, Palestine, travel, watercolours
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Edward Lear, Medeenet Abou (1856)
Edwqard Lear, Medeenet Abou, Egypt. Inscribed and dated ‘1856-19 Feby. tired out 3.p.m’, pen and ink. 20cm x 45cm (8in x 17.75in) Provenance Agnew’s, London, where bought by the mother of the present owners in 1966. The present watercolour depicts … Continue reading